Episode 82

full
Published on:

16th Sep 2024

Indiana Jones and the Temple of Doom (1984) / Fortune & Glory #2

We discuss the action-adventure blockbuster 'Indiana Jones and the Temple of Doom', a film that sparked some controversy at the time. Our guest is film/television producer and director, Anthony Ambrosino. Find out if Indiana Jones and the Temple of Doom finds salvation in our vault or is cast out into the impending fiery apocalypse.

Find Anthony Ambrosino on IMDB: https://www.imdb.com/name/nm2805568/

01:36 Introducing Special Guest Anthony Ambrosino

05:17 Four Questions with Anthony Ambrosino

19:53 Bee's Review

23:19 Anthony's Review

28:55 Sam's Review

35:50 Nathan's Review

44:51 Film Discussion

01:18:04 Movie Pairings

01:24:06 Weekly Highlights

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Mentioned in this episode:

100th Episode Spectacular Promo

Transcript
Opening:

In the dying embers of human existence, as the asteroid, a

Opening:

behemoth the size of Texas, hurtles relentlessly toward Earth, the

Opening:

world braces for an apocalyptic end.

Opening:

Deep beneath the bunker, a refuge plunges into the bowels of the Earth.

Opening:

Here the chosen gather.

Opening:

Their purpose clear to preserve the very soul of our civilization, the 35 and 70

Opening:

millimeter prints that encapsulate the magic, the emotion, and the dreams of

Opening:

generations past these masterpieces, each frame a testament to the human spirit.

Opening:

Carefully cataloged and cradled in the cavernous confines, the bunker.

Opening:

Perhaps there was room for more for friends and family yearning for

Opening:

salvation, but sacrifices must be made.

Opening:

The moving nerd stand united the keepers of a flame promising

Opening:

of future where the art of storytelling, endurance transcending

Opening:

the boundaries of time and space.

Opening:

God help us all.

Nathan:

Welcome to back to the Frame Rate.

Nathan:

Part of the Weston media podcast network.

Nathan:

Join us as we watch and discuss films on VOD and streaming platforms, deliberating

Nathan:

on whether each one is worthy of salvation or destined for destruction in the face

Nathan:

of the impending asteroid apocalypse.

Nathan:

You can find more episodes of this podcast on back to the framerate.

Nathan:

com where you can subscribe and share our show and find us on our socials at.

Nathan:

Back to the framerate.

Nathan:

I'm Nathan Shure and accompanying me are the extraordinary movie mavens, Brianna

Nathan:

Butterworth, Sam Cole, and joining us as our special guest today is film and

Nathan:

television producer, Anthony Ambrosino.

Nathan:

Anthony Ambrosino is a Rhode Island based producer and director of film,

Nathan:

television, and commercial projects.

Nathan:

His films have premiered at some of the industry's top festivals, including

Nathan:

the Toronto Film Festival and the Los Angeles Film Festival, among all Others

Nathan:

in have garnered several awards while receiving worldwide distribution, both

Nathan:

theatrically and through companies such as IFC Showtime Networks and HBO.

Nathan:

Welcome to the podcast.

Anthony:

for having me.

Anthony:

And thank you for battling through that long bio.

Nathan:

Yeah.

Nathan:

Andy, you sent me like this huge thing, like I was like,

Nathan:

nobody's ever done this before.

Nathan:

And I guess I'll just read all this.

Nathan:

No, that's really great.

Nathan:

I know I'm really happy that you're joining us today, Anthony.

Nathan:

I, we have known each other going back, I think to like 2008 and we've been friends

Nathan:

a long time and I'm just really happy that you're joining us and I've respected

Nathan:

you for a long time in this industry.

Nathan:

You've done so much, really do look up to you as you've done so many projects that

Nathan:

I Just want to say that right off the top.

Nathan:

So

Anthony:

I appreciate that.

Anthony:

I think very highly of you and your work as well, sir.

Sam:

So I just wanted to say and the reason we're all here is we're here

Sam:

to discuss the 1993 film judgment night, starring Emilio Estevez.

Sam:

And it's a thrill to be here.

Sam:

I've always wanted to talk about this sleeper action hit.

Sam:

Dennis Leary is a great villain.

Sam:

So this is going to be a great conversation guys.

Bee:

And later in the night, Hoopa Stank will be joining us.

Sam:

I just

Anthony:

lost all your listeners.

Nathan:

But I'm impressed with everyone's ability to book

Nathan:

all this talent without me.

Nathan:

So

Nathan:

anyways, talent in quotes anyways, so I, you know what I haven't done this

Nathan:

week is it's been a very busy week.

Nathan:

I don't have any creative question for our co hosts or guests this week.

Nathan:

No, because it's been a busy week.

Nathan:

It's been a week, it's been a week and I'm not gonna get into it, but we're gonna

Nathan:

get right into our discussion and a review of Indiana Jones and the Temple of Doom.

Nathan:

But before we do that, I just, I want to just, Anthony's here for

Nathan:

a reason because we're, I think of similar vintages, I'll just say.

Nathan:

And I just knew.

Nathan:

That this was going to be a film that I think we have probably

Nathan:

had a very similar experience.

Nathan:

Cause I, cause we probably grew up with this movie and I had, and

Nathan:

I have a feeling that you have a lot to say about this as do I.

Nathan:

But I want to know, just Anthony, tell us a little bit about yourself and Who

Nathan:

you are, what you do, and maybe a little bit about your relationship to this movie

Nathan:

before, without really giving too much away about your review of this, but.

Nathan:

Sure, I just asked three questions in once there.

Anthony:

I'll do my best.

Anthony:

You gave me like a bio, Anthony Biolength question.

Anthony:

Child of the 80s I love the classics as I know you do as well.

Anthony:

I.

Anthony:

Like all genres of film so obscure French films to 90s rom coms.

Anthony:

I don't care.

Anthony:

I like them all.

Anthony:

There's something to be found in every niche.

Anthony:

My relationship to Temple of Doom is it was the first

Anthony:

Indie film I saw in a theater.

Anthony:

My uncle took me.

Nathan:

You've already spoiled one of the questions.

Anthony:

I have a special place in my heart for Temple of Doom.

Trailer:

Okay.

Anthony:

I'll save the rest of it.

Anthony:

I have a lot.

Anthony:

I have a fire hose of information I want to

Sam:

Okay.

Sam:

I did not know that was the first one you saw in the theater.

Sam:

That's pretty epic.

Nathan:

Yeah.

Nathan:

Anthony, you've already answered my, cause I, what I have is a

Nathan:

segment here called four questions, which I ask all of our guests here.

Nathan:

And it's just so that the audience can get a little familiar with who you are.

Nathan:

You've already answered the first question.

Nathan:

No,

Anthony:

it's not the first film I saw in a theater.

Anthony:

It's the first Indiana Jones film I saw in a theater.

Nathan:

Oh, okay.

Nathan:

I'm sorry.

Nathan:

I misunderstood.

Nathan:

Let me ask you then, cause I want to get to our four questions here.

Nathan:

This is the first movie you remember seeing in the theater.

Anthony:

I believe it was E.

Anthony:

T.

Anthony:

two years prior to this.

Anthony:

And I have vague memories of being terrified.

Anthony:

And probably a lot more memories of hiding in the seat or in my mother's lap.

Anthony:

Then the movie itself, so maybe it's probably 50 50 but I saw E.

Anthony:

T., it was wonderful and terrifying.

Nathan:

Yeah it's scary.

Nathan:

It is, yeah.

Nathan:

Yeah.

Nathan:

Incredible stuff,

Anthony:

man.

Nathan:

Yeah.

Anthony:

And I didn't realize how scary it was until I showed it to my

Sam:

kids.

Sam:

Yes.

Sam:

That movie's incredible.

Sam:

It's my second, my favorite film Is Jaws, but E.

Sam:

T.

Sam:

Is number two.

Sam:

They're like, they're both in the same place, but they oscillate.

Sam:

I just, E.

Sam:

T.

Sam:

is incredible film.

Nathan:

Anthony, what's it, what's the last movie that you watched?

Sam:

Paycheck?

Sam:

I'm doing my homework on this question.

Anthony:

Paycheck?

Anthony:

I

Nathan:

can't believe you watched.

Anthony:

I

Nathan:

hope it is.

Anthony:

Oh, does Temple of Doom count?

Nathan:

I'd like to say besides Temple of Do, but you guess you could say that, but

Sam:

that was the last movie I watched as well,

Sam:

. Anthony: Yeah.

Sam:

I thought that was, given, sorry, yesterday.

Sam:

Yeah.

Sam:

Geez, I think it was Inside Out two.

Sam:

Okay.

Outro:

What'd you think it was?

Outro:

It was good.

Outro:

Yeah.

Outro:

Not as good

Bee:

as the first one, but it was fine.

Nathan:

Yeah.

Nathan:

I liked it.

Bee:

Yeah.

Nathan:

It did its thing alright.

Sam:

If I see Inside Out 2 on streaming instead of theatrically, am

Sam:

I missing a grand experience, or will it perform just fine on streaming?

Nathan:

It seems okay.

Nathan:

It's fine.

Nathan:

I took my kids.

Nathan:

I had to

Sam:

see it theatrically with the kids, that makes sense.

Sam:

That's cool, though.

Sam:

It's a huge, it was a huge hit.

Sam:

Yeah.

Nathan:

Yeah.

Nathan:

Yeah, I took my kids and my family to see it.

Nathan:

They're all into their emotions.

Nathan:

My oldest daughter very much relates to anxiety, so

Nathan:

What is your Favorite movie if he had to say something right now today,

Nathan:

and I know that's a hard question

Anthony:

No, it's E.

Anthony:

T.

Anthony:

Okay, and I have a guilty pleasure favorite movie that we have seen the

Anthony:

most in my life is better off dead.

Trailer:

Oh, okay.

Anthony:

Nice.

Anthony:

So I've seen that hundreds of times.

Anthony:

It's my guilty pleasure favorite movie, but E.

Anthony:

T.

Anthony:

is like my gun to my head.

Nathan:

So I have not seen Better Off Dead, but a couple of weeks ago

Nathan:

we watched on the show what's the director's name that did his follow up?

Anthony:

One Crazy Summer.

Anthony:

Yes, we watched One Crazy Summer,

Nathan:

his follow up.

Nathan:

That was pretty fun.

Nathan:

What'd you think of that?

Nathan:

If you haven't seen it.

Anthony:

I love it, but Better Off Dead is a notch above, there's so

Anthony:

much in common between the two, different characters, same tone, same

Anthony:

everything, but yeah, both are good.

Anthony:

A crazy plot parallels between One Crazy Summer and Summer Rental.

Anthony:

The John Candy classic.

Bee:

I've heard that.

Bee:

Yeah.

Anthony:

Yeah, they're both very, that'd be a great double feature.

Nathan:

Alright, cool.

Nathan:

Very cool.

Nathan:

Anthony, what is a movie that you credit for turning you into a cinephile?

Anthony:

Um, I would say more so than a cinephile, but that

Anthony:

made me want to make movies.

Anthony:

Would be Pulp Fiction.

Anthony:

I saw Pulp Fiction six times in the theater.

Anthony:

It revolutionized the way I looked at movies.

Anthony:

I started looking into, I started thinking more about directors when that came out.

Anthony:

And it's the movie that brought me into the movie world.

Anthony:

It being more than just something to do on a Friday or Saturday night.

Anthony:

It became

Anthony:

its own Slice of life.

Anthony:

So

Nathan:

yeah.

Nathan:

Yeah.

Nathan:

All right.

Nathan:

Great answers.

Nathan:

Great answers.

Nathan:

Okay.

Nathan:

All right.

Nathan:

So thank you.

Nathan:

All right.

Nathan:

So let's get into our discussion of Indiana Jones.

Nathan:

I have a plot synopsis here.

Nathan:

Intrepid archeologist.

Nathan:

Indiana Jones on the trail of fortune and glory in old Shanghai is ricocheted

Nathan:

into a dangerous adventure in India with his faithful companion, short round

Nathan:

and nightclub singer, Willie Scott.

Nathan:

Indy goes in search of the magical Sankara stone and uncovers an

Nathan:

ancient evil, which threatens all who come into contact with it.

Nathan:

And if for our people who can watch our podcast and he has his Sankara Stone.

Nathan:

Thank you.

Nathan:

Great prop there.

Nathan:

And I'll just play a little bit of the trailer.

Anthony:

If adventure has a name, it must be Indiana Jones.

Anthony:

Dr.

Anthony:

Jones found Noachi for me, and he's going to deliver him now.

Outro:

Say,

Bumper:

who is this?

Bumper:

Put the gun away, Sonny.

Bumper:

You're in for it!

Bumper:

It shocks me.

Bumper:

I'm

Trailer:

a scientist.

Trailer:

And what sort of research would you do on

Bumper:

me?

Bumper:

Nocturnal activities.

Bumper:

What position would I like to sleep in?

Bumper:

Mating customs.

Outro:

So you're an authority in that area?

Outro:

Alright,

Nathan:

little clip from the trailer.

Nathan:

And Sam, you got some movie facts for us?

Sam:

Indeed I do, Nathan.

Sam:

Indeed I do.

Sam:

So let's see.

Sam:

Indiana Jones and the Temple of Doom.

Sam:

I think at one point it was called Temple of Death and they actually changed that.

Sam:

It's a 1984 American action adventure film directed by Steven Spielberg from

Sam:

a script by Willard, excuse me Willard Yuck and Gloria Katz, who actually

Sam:

worked with Lucas on American Graffiti.

Sam:

The original screenwriter, Lawrence Kasdan, actually turned this film down.

Sam:

And I don't know the story behind that.

Sam:

Maybe he found the material too dark or it wasn't interested

Sam:

or it was a scheduled thing.

Sam:

Yes, yeah.

Sam:

All

Nathan:

of the

Sam:

above Douglas Lacombe is returning as a cinematographer edited,

Sam:

of course, by Spielberg's multiple times collaborator, Michael Kahn.

Sam:

Music by John Williams.

Sam:

And I must say personally, I love his score in this movie.

Sam:

This came out on May 23rd, 1984 in the United States.

Sam:

Its budget was 28 million, just over 28 million, and it

Sam:

grossed 333 million worldwide.

Sam:

So definitely a success.

Sam:

This actually Lucas did not want to deal with Nazis again in the second story, and

Sam:

so it was his idea to make this a prequel to Raiders of the Lost Ark rather than a

Sam:

sequel, so this takes place a year before the events in Raiders and let's see now.

Sam:

PG 13 was created after this movie.

Sam:

If you can believe it, this movie was rated PG, which is hilarious

Sam:

to me because this movie is a hard PG 13 in modern times.

Sam:

Like hard PG 13.

Sam:

And so speaking of that, since

Nathan:

you brought that up anyone here know what the first PG 13 movie was?

Bee:

I did this morning and I've already forgotten it.

Bee:

Okay.

Bee:

What is it, Anthony?

Sam:

Sam?

Sam:

I do not know off the top of my head, actually.

Anthony:

The Patrick Swayze film, Red Dawn?

Anthony:

No way.

Nathan:

Yeah.

Sam:

That is a entertaining, slightly bizarre film.

Sam:

It's it's like that movie is like a right wingers dream.

Sam:

It's like guns fighting Russians in the mountains and like we're out

Sam:

in our own building fires anyway.

Sam:

Yeah.

Sam:

Off topic.

Sam:

But so to wrap it up.

Sam:

Yeah.

Sam:

So Lawrence Kasdan was out this time.

Sam:

PG 13 was created because of the movie, we just discussed that.

Sam:

And actually, one thing I found interesting was in the editing process

Sam:

Spielberg, when they watched the original cut, they thought it was

Sam:

too fast and too short, so Spielberg went and added three minutes in to

Sam:

slow the picture down a little bit.

Sam:

Which I will definitely discuss in my review, because

Sam:

I love the breakneck editing.

Sam:

Speed of this movie, just the way it moves.

Sam:

I love it.

Sam:

But and yeah, any other facts?

Sam:

That's the gist of what I got.

Sam:

I could keep breaking.

Sam:

I think it's also

Nathan:

worth mentioning that in the middle of this filming, Harrison Ford got

Nathan:

really, he injured his back and a lot of this movie is shot with a stunt double.

Trailer:

And

Nathan:

I think it's, I think it's really noticeable and how, and I

Nathan:

think it really threw off the shooting schedule for this and that it feels

Nathan:

like more chaotic because of that.

Sam:

He was out for I think three to six weeks had this controversial,

Sam:

new style operation performed on the like, herniated discs in the act.

Sam:

Papaya

Trailer:

enzymes!

Sam:

Yeah, papaya enzymes.

Sam:

The stunt guy, Vic Armstrong, It, he, they were gone, he was gone

Sam:

for about I think three plus weeks, And it was in the third act scene.

Sam:

Where he's fighting the bad guy on the conveyor belt that goes into the wheel.

Sam:

Most of it's done in wide shots.

Sam:

In fact, when Kate Capshaw hands Indy, she's like, Here, hit him with this.

Sam:

That's totally the stuntman.

Sam:

It's wide.

Sam:

You can't see his face.

Sam:

And they went back, they got Inserts of Harrison Ford, but the most glaring

Sam:

part that I'll mention really quickly is when Indy is first imprisoned with

Sam:

Kee Hee Kwan and they're like in that kind of like human cage like floating

Sam:

up in the thing when Short round runs up to give Indy a hug It's like an

Sam:

over the shoulder shot and you can see the guy the back of his head and

Sam:

neck It is not Harrison Ford at all.

Sam:

And once you see it, you can't unsee it.

Sam:

It does not hurt the scene, but I'm just like, Nope, that is not him.

Nathan:

Yeah.

Anthony:

Yep.

Sam:

Speaking

Anthony:

of that duo, if you had told me that in the year 2024 to put money on

Anthony:

which one of them would have an Academy award, my money would not have been

Trailer:

short

Sam:

round.

Sam:

Amazing.

Sam:

Yeah.

Sam:

Unbelievable.

Sam:

This is in Kiki Kwan and his future did in this feature debut, his first film.

Sam:

Temple of Doom, which I love.

Sam:

His intro's incredible, by the way.

Sam:

When he just shows up in the car, like, when I was a kid, I just,

Sam:

I was like, he was the coolest.

Sam:

I like, looked up to him, I was like, Wow, he's going on an adventure with Dr.

Sam:

Jones.

Sam:

This is awesome.

Sam:

I

Bee:

was just finally excited that my small boy prophecy was right.

Anthony:

Oh, yeah.

Anthony:

What's the small boy prophecy?

Bee:

Anthony, I had made a list last week because not only have I never

Bee:

seen the Indiana Jones movies, I managed to go my entire life with zero

Bee:

spoilers to the Indiana Jones movies.

Bee:

So I wrote a small list of what I thought were in them and I was convinced.

Bee:

I was like, I swore this, there was some like karate kid,

Bee:

small child, protégé situation.

Bee:

And I was like dumbfounded in Raiders when there was no children.

Bee:

I felt a little Specifically,

Nathan:

this franchise included whips and small boys, I remember.

Bee:

Yeah, it did.

Bee:

Yeah.

Bee:

That came up.

Bee:

Yeah.

Bee:

And it does!

Nathan:

And a

Bee:

funky hat.

Sam:

I also forgot to mention briefly, and Spielberg has said in many

Sam:

interviews that this is his, of his, I think, just referring to the original

Sam:

trilogy, his least favorite of his own indie films that he directed.

Sam:

And, uh, it's interesting that he had a comment in terms of

Sam:

the tone and the darkness.

Sam:

And both he and Lucas, we're going through either marital or relationship

Sam:

problems at the time, breakups.

Sam:

And it's just to quote Spielberg talking about the tone of temple of doom.

Sam:

He's we went too far.

Sam:

We out poltered poltergeist, which I love that.

Sam:

I love that.

Sam:

I love that quote.

Sam:

Yeah.

Sam:

Yeah.

Sam:

They were

Nathan:

in very dark places.

Anthony:

Did he say that it was his least favorite of the original trilogy?

Anthony:

Wait, did he say this previous?

Anthony:

Post 2009 or

Sam:

pre previous 2009.

Sam:

I think he said it after, but he doesn't really talk about Crystal Skull.

Sam:

Cause maybe he's yeah

Anthony:

curious.

Nathan:

I just want to throw in a few things about some of

Nathan:

the awards and box office here.

Nathan:

So this came out on May 23rd, 1984, went wide.

Nathan:

Then debuted at number one in the box office made 25 million that week.

Nathan:

Number two, that week was the natural made 6.

Nathan:

9 million in his third week of release.

Nathan:

Number three was breaking.

Nathan:

Remember break in number 4.

Nathan:

1 million in his fourth week of release number four.

Nathan:

And I think this is pretty, this is cool because the movie that

Nathan:

this movie is actually really a rip off of Raiders of the lost dark.

Nathan:

And this is romancing.

Nathan:

The stone was number four that week in its ninth week of release.

Nathan:

Formerly I love romancing

Sam:

the stone as well.

Sam:

That movie's awesome.

Nathan:

Number five this week was 16 candles.

Nathan:

2.

Nathan:

9 million.

Nathan:

Number six was Police Academy, 2.

Nathan:

8 million.

Nathan:

Number seven was Firestarter, 2.

Nathan:

4 million.

Nathan:

Number eight was Splash in his 12th week of release, 2.

Nathan:

1 million.

Nathan:

Number nine was Footloose in his 15th week of release, 1.

Nathan:

9

Trailer:

million.

Nathan:

I know.

Nathan:

And number 10, movie I really love, I know you do.

Nathan:

I think to Sam, we've talked about this, Greystoke, Legend of Tarzan.

Nathan:

Have we talked about this?

Nathan:

I don't think I've seen that movie.

Nathan:

Oh, maybe I'm thinking something else.

Nathan:

Maybe I'm thinking something else.

Nathan:

But I really do like that movie.

Nathan:

I saw that in the theater as well.

Nathan:

The box office

Bee:

has changed so much.

Bee:

Yeah, it has.

Anthony:

The quantity, there's so many films out now.

Anthony:

So it's,

Nathan:

This movie had two Academy Award nominations at one for best visual

Nathan:

effects, which I scratched my head about.

Nathan:

I wonder what it was up against, but it was also nominated

Nathan:

for best original score.

Nathan:

And yeah.

Nathan:

All right.

Nathan:

So let's get into this B since you have never seen this film before in your.

Bee:

No, never.

Nathan:

The virgin to this franchise.

Nathan:

Let's hear it.

Bee:

Sure.

Bee:

I didn't live up to Raiders for me.

Bee:

I think we can say that.

Bee:

Raiders was a perfect movie, I thought.

Bee:

And this just felt like we really fell off the wagon somewhere.

Bee:

I thought it was fun.

Bee:

Hey listen, this is just a fun action serial.

Bee:

You have this like, serialized James Bond y kind of character who just goes from

Bee:

adventure to adventure, and the best parts of that are great, and the bad parts of

Bee:

that are really highlighted in this movie.

Bee:

I'll start.

Bee:

I think some of the really fun stuff I thought the action

Bee:

was shot really well in this.

Bee:

I thought it was photographed beautifully, and some really big

Bee:

action scenes that were just fun.

Bee:

The kills were crazy, and I liked how dark this movie was.

Bee:

It wasn't a problem for me.

Bee:

I thought that was cool.

Bee:

Some of the dark parts of Raiders, I thought, were the most interesting and

Bee:

the most toothy, and gave some weight to some of these really amazing kills.

Bee:

I liked the sidekicks.

Bee:

I loved short round and I liked Willie too.

Bee:

She's crazy and annoying, but she's what a great every man to throw

Bee:

in the middle of there because yeah, what Indy's doing is crazy.

Bee:

That's insane.

Bee:

I like who would know how to handle that situation.

Bee:

So I like that they went.

Bee:

In completely the opposite direction.

Nathan:

You're officially on the record being pro Willie.

Bee:

I'm pro Willie.

Bee:

It's fine.

Bee:

It's fine.

Bee:

I just like that they didn't try to give us the same woman twice.

Bee:

Does their romance make any sense?

Bee:

No.

Bee:

Do I think it makes sense to hold that to a really rigorous standard for an

Bee:

80's action movie that's not about that?

Bee:

Also no.

Bee:

Who cares?

Bee:

That's not the point of it for me.

Bee:

Yeah, I thought that stuff, I thought the score was amazing.

Bee:

That was, I was happy to be listening to John Williams again.

Bee:

The problem with characters like this is when you stick them in locations

Bee:

that you treat as exotic as this.

Bee:

And the white savior trope that really jumps out.

Bee:

And it's right from the opening number all the way through.

Bee:

The Indian people in this movie are, they're either helpless or evil.

Bee:

I don't know.

Bee:

The whole time they need Indi to save them, which is that's

Bee:

this type of character, right?

Bee:

They go in somewhere and they save everything.

Bee:

And that's just the nature of it.

Bee:

It doesn't age well, it doesn't hold up super well.

Bee:

That's some of it was problematic.

Bee:

But, there was a lot of fun to be had in it.

Bee:

I do think, it's interesting that you were saying the pacing was so

Bee:

great, I thought it really dragged.

Bee:

We spent so much time in the temple, and in Raiders we were moving from incredible

Bee:

set piece to incredible set piece, to different countries, and it just felt

Bee:

like the movie had pace and scope and exploration, and this felt really narrow.

Bee:

to me.

Bee:

It was cool.

Bee:

The temple was interesting.

Bee:

There were a lot of dimensions to it, but we never really saw

Bee:

anything outside of that world.

Bee:

It ends really abruptly for me.

Bee:

So I thought the middle kind of sank.

Bee:

I don't know.

Bee:

It wasn't my favorite.

Bee:

I want to see the next one.

Nathan:

Okay.

Nathan:

What would you give this as a rating?

Nathan:

One to five?

Bee:

Three.

Nathan:

Three.

Nathan:

It's a three.

Nathan:

Okay.

Bee:

Yeah.

Bee:

So that was probably not very coherent.

Nathan:

No.

Nathan:

Alright.

Nathan:

Anthony, you're up.

Anthony:

I love Temple of Doom.

Anthony:

Of course.

Anthony:

I just remember being like, eyes bugging out of my head in the

Anthony:

theater watching this as a child and watching a grown man's heart, beating

Anthony:

heart be ripped from his chest.

Anthony:

This is a horror movie.

Anthony:

This is a horror movie.

Anthony:

It's so

Bee:

disturbing.

Anthony:

There's so many elements to this that put it in the horror genre.

Anthony:

genre for me, and especially to a child.

Anthony:

Like I, I never get away with that today.

Anthony:

And even back then, again, it caused an entire rating system change.

Anthony:

And I think they just went.

Anthony:

The creators were in a dark place.

Anthony:

They went in a dark place.

Anthony:

They had, empire was such a big hit and that was the dark middle star Wars movie.

Anthony:

And they wanted to do that again a little bit.

Anthony:

And yeah, whether or not they went too far, who knows.

Anthony:

But for me, it was a ton of fun.

Anthony:

Some good callbacks to the first film.

Anthony:

But I think.

Anthony:

Even as a standalone film, this doesn't have to be an Indiana Jones movie.

Anthony:

I think this movie could have been any other film.

Anthony:

It wouldn't be as good because again, you get to build on what Raiders has

Anthony:

already established as a world and Indiana Jones is a character, but

Anthony:

but This would be a really fun movie to watch in almost any franchise.

Anthony:

So like you can nitpick a bunch of different stuff and comparison

Anthony:

the other indie films or whatever.

Anthony:

But I think it's right up there.

Anthony:

With the other films Raiders.

Anthony:

Yeah.

Anthony:

Like you said, Raiders is perfect.

Anthony:

I guess we're not really allowed to talk about the future, but it's there.

Anthony:

It's my third favorite of the original three, but we're talking like,

Anthony:

what's your third favorite child?

Anthony:

It's

Nathan:

okay.

Nathan:

Anthony, if you were giving a rating one to five, what would you say?

Nathan:

Cause that's what we do here.

Anthony:

And we took all the movies ever made into this one, one to five.

Anthony:

Yeah.

Anthony:

It's high stakes,

Outro:

Anthony.

Outro:

Yeah.

Anthony:

It's a four.

Anthony:

And I'm also team Willie.

Anthony:

Hell yeah.

Anthony:

I think she's a terrific representative of They're making these thirties and

Anthony:

forties serial films and she's a great representation of what a lot of the like

Anthony:

damsel in distress But not even she's not even really in distress she's like

Anthony:

you said you called it every man of it.

Anthony:

She's comic relief.

Anthony:

She's all these things and Like I don't know.

Anthony:

I've met people like that I met people, I know people, that if you drop them

Anthony:

into that situation they're gonna scream when they see snakes and all that.

Anthony:

It might even be me.

Anthony:

But I didn't have a problem with her as a character.

Anthony:

She was annoying.

Anthony:

That's the person you don't want around in some of those situations, but that's

Anthony:

what she's supposed to be there for.

Anthony:

If she was like an equal to Indy as far as his experience and skillset

Anthony:

and all that, she really wouldn't be that interesting of a character.

Anthony:

You need someone that's like in some ways, hold him back.

Anthony:

And then she has, she's the character arc that they can't give Indiana Jones.

Anthony:

Indiana Jones is a very, Established character is not gonna change much

Anthony:

through these films, but the people around him, through his adventures change

Anthony:

their life perspective and all that.

Anthony:

So you get to watch a great change in her.

Anthony:

. And so she's the me she's the character, change

Nathan:

the character artist.

Nathan:

You see a change.

Nathan:

Did you see a change in her through this movie?

Nathan:

Yeah.

Nathan:

Oh, absolutely.

Nathan:

Especially, she was constantly.

Bee:

Yeah, she was constantly pushing herself outside her comfort zone.

Bee:

She was taken from something, a place where she already had established

Bee:

herself in a foreign country.

Bee:

She built a career there.

Bee:

She knew she could be a person that kept going beyond her boundaries.

Bee:

I think she's a really well written character.

Anthony:

And when Indy drank the potion there and turned evil

Anthony:

that's a big turning point for her.

Anthony:

She stepped up and like you mentioned earlier when she handed The thing for

Anthony:

him to hit the, that, that wouldn't happen to the beginning of the movie.

Anthony:

I think she, spending that time and spending that time around Indy,

Anthony:

becoming more comfortable in her skin, she really stepped up against those.

Anthony:

She could have caught, crouched in a corner and hit and cried,

Anthony:

but she stepped up and helped

Sam:

fight.

Sam:

You talk about Indy drinking that potion.

Sam:

You talk about the horror movie like tone to this.

Sam:

That is so dark when he wakes up with the candles.

Sam:

I'm like, Oh my God, this is pitch black, midnight darkness.

Sam:

Yeah.

Sam:

Oh yeah.

Trailer:

Yeah.

Trailer:

Yeah.

Trailer:

Okay.

Anthony:

And as far as the other tropes that people get upset about with India

Anthony:

and all that Again it's the early 80s, all these films and stories from, especially

Anthony:

the stuff they're trying to emulate.

Anthony:

They're trying to emulate stuff from almost the 30s.

Anthony:

Yeah.

Anthony:

And, exotic places and Aboriginals and all this different stuff that comes up.

Anthony:

Those are all like, scary.

Anthony:

The unknown where man is scared of the unknown and other countries

Anthony:

and other populations and all that are unknown and therefore scary.

Anthony:

And you get these tall tales that, that creep through a bow.

Anthony:

Don't go there.

Anthony:

Those people will do this and that you hear about now,

Bee:

I just wish they had given Indy a really strong character from the

Bee:

village that he was trying to save.

Bee:

I wish there were somebody that stepped up that represented

Bee:

the place that needed help.

Bee:

That was, I think, the thing that could have helped it a little more.

Bee:

Because then you could still be this person who's fish out of water.

Bee:

You could still have that story.

Bee:

But then you also have the story of humanizing, but to your point, Indy

Bee:

has that great moment in the beginning with Willie, where he's you got to eat

Bee:

this food and he's showing the cultural competence that an academic should have.

Nathan:

Yeah.

Nathan:

Okay.

Nathan:

Sam, what do you got to say?

Sam:

I first off, just going linearly, I like, I love the opening

Sam:

title credits of Indiana Jones and the Temple of Doom behind Kate

Sam:

Capshaw, who is like in front of it.

Sam:

And the logo appears as it does on posters which I will not give

Sam:

anything away, but we don't often see that style in other films

Nathan:

with Kate Capshaw in front of the title.

Sam:

Yeah, no, where you actually see where it says Indiana Jones

Sam:

in the Indiana Jones, orange font.

Sam:

Like writers doesn't have that.

Sam:

Yeah.

Nathan:

See

Sam:

just different style.

Sam:

Like this movie is more pulpy, oh, totally.

Sam:

Yeah.

Sam:

Love the, and I was timed it cause I've seen this movie so many times.

Sam:

I was curious as to the structure, the first 19 minutes of this film with the

Sam:

like Nurhaci's remains at Club Obi Wan, the huge shootout in Club Obi Wan, the

Sam:

escape, jumping out the window, the giant rolling, like block the, the car

Sam:

chase And Dan Aykroyd's brief cameo out of nowhere where he just shows up.

Sam:

He's hello, I'm Odd Webber.

Sam:

Blah, blah, blah, blah, blah, blah.

Sam:

He's you will be riding on a cargo plane.

Bee:

I was like, is that Dan Aykroyd?

Bee:

They must have

Nathan:

stayed friends from 1941 is what I'm guessing.

Nathan:

Yeah,

Sam:

exactly.

Sam:

For sure.

Sam:

And then like all that is in the first 19 minutes, then they jump

Sam:

out of the plane in that ridiculous raft sequence that I love.

Sam:

It's just such a this movie.

Sam:

Really takes the kind of James Bond the and premise of will open the film with

Sam:

the third act of another story and it just has this totally unrelated, like

Sam:

those characters never come back again and in terms of what I really enjoy

Sam:

about this movie, the tonality of it.

Sam:

It's like my.

Sam:

Description of it.

Sam:

It's like a it on the outside.

Sam:

It looks like a beautiful like cake and you like want to eat

Sam:

it but like it's hollow and there's a giant tarantula inside.

Sam:

Because this movie I always loved like that's like having always

Sam:

loved like movies and like being interested in directing and

Sam:

structure and stuff like that.

Sam:

What I really love about Indiana Jones and the temple of doom is if you're seeing

Sam:

this for the first time, it starts off very splashy with a musical, very light.

Sam:

Like you've got, you have a sense, like what I'm going

Sam:

to be seeing is a lot of fun.

Sam:

fun, maybe not as deep as Raiders, but after they crash and they arrive in

Sam:

India, this like oppressive tone of darkness just creeps down on the movie.

Sam:

And so I love how the evil and the tonality and the horror elements of

Sam:

this film are saved for the second act.

Sam:

And it's, so it creeps in insidiously.

Sam:

Interestingly enough the actor.

Sam:

who played the village priest, he actually did not speak English in

Sam:

real life and Spielberg told him his lines phonetically to him.

Sam:

So he'd mimic the sound.

Sam:

So that's where he would say it must darkness over the village.

Sam:

He's literally just going off Spielberg's direction.

Sam:

I thought he did amazing.

Nathan:

There's a great, there's a great behind the scenes.

Nathan:

Stuff on YouTube and on the disc where he's just shows and he's doing all the

Nathan:

stuff behind like darkness and all that.

Nathan:

And he's just copying him, off camera.

Anthony:

Oh, exactly.

Nathan:

Yeah.

Anthony:

Before you get too far, I do just want to comment on the opening.

Anthony:

Which could be its own short film in and of itself.

Anthony:

I love the fact how Indiana Jones, especially in the beginning of

Anthony:

Raiders 2 that they just Drop you in without any X unnecessary

Anthony:

exposition of what's happening.

Anthony:

They just don't insult the audience intelligence and allow you to

Anthony:

pick up some of the pieces there.

Anthony:

And it makes you have to listen and pay attention.

Anthony:

It draws you in.

Anthony:

They didn't need to explain too much, but you're gathering context

Anthony:

clues of who's doing what and who's looking how and who's with who.

Anthony:

And it's just phenomenal that they give that to the audience, the gift of

Anthony:

filling in the gaps, which gets you more.

Anthony:

Intertwined with the film, but anyway, yeah, that I love that they

Anthony:

do that with these films, and I wish more films nowadays would do that

Anthony:

without over explaining everything

Outro:

to you.

Sam:

Yeah.

Sam:

God, yeah, over explaining everything and then like adding subplots in

Sam:

addition to explaining everything.

Sam:

Yeah.

Sam:

They're like, we have to like, check every single box.

Sam:

Not opening it.

Sam:

I love that opening and that, that sets the tone.

Sam:

And what I love about it is it's so different from the rest.

Sam:

And I totally hear what you're saying, Bea, about especially when

Sam:

they're in the temple of Dhuum, the movie is more like claustrophobic.

Sam:

It's closer.

Sam:

And it's a very different animal than Raiders because Raiders is undeniably

Sam:

Way more epic and grander visually and it's you know Open skies and

Sam:

deserts and vehicles and soldiers like it's very there's a there's like

Sam:

a David Lean feel Raiders, this is a subterranean horror movie that happens

Sam:

exactly that happens to have some like outdoor locations in the first half.

Sam:

I know what you mean about the pacing in the temple, but for me personally,

Sam:

why, the reason I like it a lot is because when they get to the temple,

Sam:

the movie's had some action and laughs and the gross out, dinner

Sam:

scene and some really good set pieces.

Sam:

And I love the thing where the spikes coming down and them getting trapped,

Sam:

like the action in this movie is legit, but until they've arrived at the

Sam:

temple, it's never gotten fully dark.

Sam:

And when they get there and they get trapped, it gets.

Sam:

dark, like Harrison Ford drinks the poison, like they're being

Sam:

whipped like Willie is literally about to be sacrificed to the fire.

Sam:

And that's like incredibly suspenseful and just horrifying

Sam:

because I can't imagine her terror and just blacking out in the heat.

Sam:

It gets so oppressive and so heavy.

Sam:

That when they break free and escape, I find the like mine car chase wildly

Sam:

exciting the bridge climax, just like it's like they get let out of the

Sam:

prison of the temple of doom and they get this escape like the last third of

Sam:

that movie to me is just Action packed.

Sam:

I love everything.

Sam:

I like the shot.

Sam:

I love it.

Sam:

When Indy is swinging on the the rafters with his whip and he's trying to catch

Sam:

up to the mine cart and he falls in.

Sam:

Just the way it's shot the, this movie really, the pacing

Sam:

moves really fast for me.

Sam:

And lastly, I'll say, I'll just end by saying that in, in Mythology in the hero's

Sam:

journey and those types of things, there's the idea of the hero has to go into the

Sam:

earth and be tested, and then they come back out to the light re energized.

Sam:

And I feel like Temple of Doom takes that literally.

Sam:

We literally see a movie where Indiana Jones and company go to hell, survive

Sam:

hell, and then break up back forth to daylight on the other side, and it was

Sam:

like a fever dream nightmare of a Story.

Sam:

So that's what I like about it.

Sam:

I could go on and on, but I would give Temple of Doom four as well.

Sam:

I give it a solid four.

Trailer:

Nice.

Nathan:

Okay.

Nathan:

I'm up.

Trailer:

Yeah, man, you're up.

Nathan:

I've dreaded this day.

Nathan:

Thanks.

Nathan:

I have.

Nathan:

Anthony, what you don't know is that I have a real love hate relationship

Nathan:

with this movie for a long time.

Nathan:

So one thing that I feel like I should never do, I never want to do in life, is

Nathan:

to look at this film with a critical eye, especially when I'm already, this film has

Nathan:

been skating at the nice for a while now.

Nathan:

This came out at a time at the peak of my eighties movie fandom, summer

Nathan:

of 84, I was 10 and I loved the hell out of this movie when I was 10.

Nathan:

It was, Spielberg made this movie for me.

Nathan:

It was perfect.

Nathan:

And I still think, like you said, Sam, the first.

Nathan:

18, 19 minutes of this movie are perfect.

Nathan:

Pretty much.

Nathan:

I love that opening scene.

Nathan:

I would actually, I'll be honest.

Nathan:

I would, I wish this movie was about Indy's adventures with the Chinese mafia.

Nathan:

I could have stayed in Shanghai and learning about, and his adventures there.

Nathan:

I want to know more about that.

Nathan:

That's funny.

Nathan:

Was it when he got on the plane?

Nathan:

I love that scene, but it there's something about this.

Nathan:

One thing that bothers me though, and I'll get into about the humor in this

Nathan:

movie, in the writing of this, but I'm getting ahead of myself here, but years

Nathan:

have gone as the years have gone on temple doom has increasingly become a

Nathan:

very Difficult viewing experience for me.

Nathan:

I guess I'll say

Nathan:

I'm not here to completely trash this movie.

Nathan:

There are a lot of things I'll appraise.

Nathan:

I, like I said, the opening is perfect.

Nathan:

It starts off with that vibrant homage to the like Busby Berkeley

Nathan:

musicals from the thirties, forties, that splashy dance number.

Nathan:

I love that opening set piece.

Nathan:

It's my favorite part of this movie, pitting Indy and

Nathan:

Lao Tse against each other.

Nathan:

The interaction that combined with the blocking of that, the directing,

Nathan:

the editing, the score while they're doing the Lazy Susan back and forth.

Nathan:

So yeah it's chef's kiss.

Nathan:

It is.

Nathan:

The champagne pork, the ice with everything, the way that is edited

Nathan:

together, it's just perfection.

Nathan:

And, but at least to that, like Marx brothers esque shenanigans, And it's

Nathan:

a great blend of humor and action.

Nathan:

It is Spielberg firing in all cylinders in that scene.

Nathan:

And I really do love it, but it's also an indication of the type of humor and

Nathan:

like the ventures into lowbrow territory that is just not vibing with me.

Nathan:

The way it used to, and it's lacking kind of the wit and

Nathan:

the subtlety of the first film.

Nathan:

But another, but not going to dwell too into the doldrums yet.

Nathan:

Another bright spot I like is the dynamic between Indy and Short Round.

Nathan:

Their banter and chemistry, so much fun.

Nathan:

I really hope that that he, Quan maybe returns his franchise at some point.

Nathan:

And.

Nathan:

And we get maybe some adventure with him or that character,

Nathan:

I think it'd be really cool.

Nathan:

I think he's, he'll, he, I don't think he ever will.

Sam:

I love it when he and Indy are playing, they're playing cards

Sam:

and Kate Capshaw's running around and like bumping into every single

Sam:

animal and she grabs the bat.

Sam:

And my favorite shot is she runs by and a lizard is bruh.

Nathan:

I like them in that.

Nathan:

I love their banter.

Nathan:

I could watch them play cards or do whatever I want to venture with

Nathan:

them, but if it was focused but conversely, Willie Scott, the leading

Nathan:

later for me, the leading lady is a major drawback for me, her character.

Nathan:

I was, I'm actually surprised how much team Willie there is here.

Nathan:

Cause I find her, she is the audience surrogate.

Nathan:

But damn her character, the character I don't know.

Nathan:

I found her to be very underdeveloped and I do, you did bring up some good

Nathan:

points that did make me think a little bit more, she does have some agency

Nathan:

in this toward the end where she is helping Indy out and I really didn't.

Nathan:

Think about it as much, but she is so poorly written, the stuff

Nathan:

that comes out of her mouth, it's just EKS and oz for the most part.

Nathan:

And I don't even care that it's a, she's like this potentially outdated stereotype

Nathan:

of nightclub singer of the thirties.

Nathan:

I get that's somebody that existed back then, and so I, I don't, that doesn't.

Nathan:

Fault, the movie for that.

Nathan:

I just don't like the fact that her, I didn't feel like she had

Nathan:

much arc and has really no depth.

Nathan:

She has no character moments.

Nathan:

Yes, she does.

Nathan:

Ha.

Nathan:

Action is character, but we don't really get to know her.

Nathan:

She doesn't like, we don't really, she doesn't.

Nathan:

Share anything about who she is throughout this movie.

Nathan:

There's one moment where she says something about, she has an opinion

Nathan:

about my father, my uncle was a magician or a trickster, something like that.

Nathan:

And he ended up like penniless.

Nathan:

That's the one time in this whole movie.

Nathan:

She says, Something that is aha she's bringing up something from her past.

Anthony:

It speaks to her material nature though.

Anthony:

Doesn't it?

Anthony:

It helps explain sort of her superficiality.

Anthony:

Yes,

Nathan:

but it's the only time that she says, Anything that's makes me

Nathan:

think that they wrote a line for her thinking about her character.

Nathan:

There's nothing, there's no other line in this movie that

Nathan:

is, adds any character to it.

Nathan:

I

Bee:

think there's so much visual storytelling that tells you her character.

Bee:

I think you know that she's like I do, but she's, yeah,

Nathan:

okay.

Nathan:

But yeah, you've made me think a little bit more about it because, but that's,

Nathan:

that was my initial reaction to this.

Nathan:

Can I ask you a question?

Anthony:

Yeah.

Anthony:

Or my question to you is if you're going to take the Uber capable and experienced

Anthony:

Indiana Jones and drop him into what Sam calls the pit of hell, we don't have

Anthony:

the traditional jet setting, like the.

Anthony:

The 007 jet setting that Indiana Jones does.

Anthony:

We dropped him off in a place that no one knows where he is.

Anthony:

He's trapped, there's no way out, and he's alone.

Anthony:

If you're going to do that to Indiana Jones, and you want it to seem a

Anthony:

very helpless situation, are you not going to drop him with a child?

Anthony:

And a woman that's more worried about breaking a nail than anything else.

Anthony:

The two of the most hapless, helpless people that you can companion

Anthony:

him with in the pit of hell.

Anthony:

And they are the ones that help him get out.

Nathan:

I get it.

Nathan:

I understand this movie has a very precise formula for that.

Nathan:

She's a Bond girl is what she is.

Nathan:

There's the reason for why she's there.

Nathan:

And she's the audience surrogate.

Nathan:

And I don't fault the movie completely.

Nathan:

I just fault the writing for her.

Nathan:

But she serves a purpose for the story.

Nathan:

She's

Bee:

a broad industry.

Nathan:

But I don't know.

Nathan:

It's, it just is not working for me anymore.

Bee:

I think you're, I think you're on the, I think a lot of

Bee:

people feel the way you feel.

Nathan:

So the other thing I know But it's, I can't

Nathan:

really talk so much about it.

Nathan:

The other thing, just two more points, I'll say it quickly, visually, this film

Nathan:

is it's so heavily reliant on soundstages.

Nathan:

And that is also contributing to this claustrophobic and dark atmosphere.

Nathan:

I know this movie is underground and all that, but.

Nathan:

Whereas Raiders was so set in these vibrant location based settings much

Nathan:

of this film takes place underground and with that combined of, with

Nathan:

that is a, it's got that dim living and these visually monotonous, it

Nathan:

creates this visually monotonous experience is what I'm trying to say.

Nathan:

And.

Nathan:

With so many few outdoor scenes and a few of them were shot in Sri Lanka, but it

Nathan:

really doesn't offer that much relief.

Nathan:

So it just felt really, I just felt just like it was all in sound stages.

Nathan:

And I just did not feel like we went anywhere.

Nathan:

I was, I did not like, you mentioned David Lean as a great

Nathan:

reference, Sam, for the first film.

Nathan:

And I felt like I was never really was outside this movie and I

Nathan:

didn't, it wasn't pleasurable.

Anthony:

Compared to Raiders, or are you hating this as a standalone thing?

Anthony:

But do you think that Raiders of the Lost Ark is causing you to

Anthony:

hate this more than you should?

Nathan:

I can't not compare it to Raiders, but I think it's it's

Nathan:

also, it felt cheap because of that.

Nathan:

It felt like power agency.

Nathan:

And, there's more to say about this, but in summary,

Nathan:

there's a lot of great moments.

Nathan:

The action is so well directed in this.

Nathan:

And brilliant, a lot of moments of brilliance and nostalgia

Nathan:

here, but it really struggles with the tonal inconsistencies.

Nathan:

I don't like the slapstick humor.

Nathan:

It may have been the film that, that the public wanted in 1984 and

Nathan:

hey, I was there for it, but in retrospect, I still think this is one

Nathan:

of Spielberg's worst in his catalog.

Nathan:

So yeah.

Nathan:

What's your star rating?

Nathan:

I'm giving it a two and a half.

Sam:

Damn.

Sam:

I'd say for me personally, just on the visual element of the Temple of Doom I

Sam:

love Douglas Slacombe's lighting there.

Sam:

I think that set is incredible.

Sam:

And I was, because I was doing this in at the one hour mark, when Indy and Short

Sam:

Round and Willy you hit, they can hear chanting and they're walking through these

Sam:

stalactites and stuff, and they come out around this corner, and in this Spielberg

Sam:

tracking shot, and then it pans around, and you see the entire Temple of Doom

Sam:

set all fiery lit up with all the extras.

Sam:

I just find that, all of that the light, everything I find spectacular.

Sam:

So I don't find it visually nice.

Nathan:

This movie is between spectacular and aggravating to me.

Nathan:

That's where I'm at.

Nathan:

So I

Bee:

have a question for you guys about the way this looks and about some of the

Bee:

action on the set pieces because I think the action is shot really well but it

Bee:

goes so big so often and so much bigger than it went in Raiders that for me it

Bee:

almost looks lampoony like when they get out of the plane on the raft and to

Bee:

an extent the mine cart scene as well.

Bee:

So I.

Bee:

I didn't see this when it came out, obviously.

Bee:

I haven't seen it my whole life, so all I've seen is what it's influenced.

Bee:

And I haven't really done a lot of research on this movie, because

Bee:

I don't want to spoil anything for myself for future films.

Bee:

It looked like, to me, with present day eyes on this movie, like they were Gunning

Bee:

for universal rides when they made this movie, they had notes in the back of their

Bee:

mind of like, how do we make this a ride?

Bee:

How do we market this?

Bee:

That's how I, as a modern day movie watcher, see that

Bee:

what they're doing there.

Bee:

But I don't know if this is actually just some sort of.

Bee:

Spielberg and Lucas being like, let's all be 10 year old boys and make the movie.

Bee:

Our 10 year old kids wish they could make, or if this was a studio note

Bee:

saying Raiders was so good, let's just do more, more as far as I know.

Sam:

The mine car chase was actually originally going to be part of Raiders,

Sam:

but they had too many set pieces.

Sam:

So they like kept, and they're like, Oh, now we're in temple of doom.

Sam:

We're underground.

Sam:

We'll take the mine car chase, put it in this one.

Sam:

But I guess it was a raft, possibly.

Sam:

Yeah.

Sam:

Yeah.

Sam:

No, yeah, the raft, I can see possibly while making it, it definitely has

Sam:

that, of course it could be a good ride.

Sam:

I

Nathan:

know there's very little studio involvement in the making of this movie.

Nathan:

They let Lucas and Spielberg really have carte blanche to do whatever you want.

Bee:

This looks like the studio had their hands all over it.

Bee:

If you've never seen this movie.

Bee:

This feels like a

Nathan:

This to me feels like a cocaine infused fever dream.

Nathan:

Yeah, but I think the studio execs were doing that

Bee:

too.

Bee:

But I think, if you, so I grew up in the era of like franchises and sequels and

Bee:

big movies and studios and things getting, so watching this now, it's so different.

Bee:

so hard to not to think that this was the original concept of Spielberg and Lucas

Bee:

and not how do we market this later?

Bee:

How do we make things bigger?

Bee:

And it just not being super successful.

Bee:

So that's, I don't know, that just puts it in a different light for me.

Sam:

I hear that.

Sam:

And it was definitely them.

Sam:

It was Lucas, like pushing the idea and Spielberg kind of jumped on

Sam:

board and was like, Oh, a darker.

Sam:

Just like playing

Bee:

and being, yeah, that's fun

Nathan:

to know is that this really was like a story that

Nathan:

they just threw together.

Nathan:

This is not like Raiders where Lucas had this idea gestating

Nathan:

for like years and years.

Nathan:

This was just like them we got to think of something.

Nathan:

And they had like action set pieces in mind.

Nathan:

And then I feel like they cobbled around a story around that.

Nathan:

They did the same

Sam:

thing.

Sam:

Yeah.

Sam:

It's

Bee:

surreal that it is.

Bee:

Sorry.

Bee:

We did the same

Sam:

thing with Raiders.

Sam:

They put together a story and this was no different than their kind of storytelling.

Sam:

I think it just happened to be, for me I think Raiders is definitely like a

Sam:

lot more open air and visually epic, but what I love about this is when, and I

Sam:

won't give anything away, but when you're watching Indiana Jones movies, I like

Sam:

how I like what an outlier this film is.

Sam:

It's so different in feel that it, the claustrophobia and the cave, like

Sam:

for me, gives it its own horror thing.

Sam:

And I love it when they're like, going through the place with the bugs.

Sam:

Like it's very like.

Sam:

Trapped in cavernous, but I love it because it's so different.

Sam:

It's not like Raiders part two.

Sam:

Let's try to top the truck chase.

Sam:

You know what I mean?

Sam:

Yeah, that's just my sort of angle.

Sam:

It's

Bee:

a little mean spirited.

Bee:

Like it, it never lets them go.

Bee:

Like first they got the bridge, then there's alligators under the bridge.

Bee:

Then it's just, and I like that.

Bee:

I think that was, but I wasn't sure who was driving that.

Sam:

That was definitely Spielberg and Lucas.

Sam:

Yeah.

Sam:

Yeah.

Anthony:

The great thing too, Sam, you talk about the end when they

Anthony:

come out and they're in darkness and then into the light at the end.

Anthony:

We're sitting in the theater, having that same response when the

Anthony:

screen goes bright with the sun.

Anthony:

And we've been living inside with these characters for this entire film.

Anthony:

Even in the, I remember squinting when the daylight came on at the end of the film.

Anthony:

And just being like, oh.

Anthony:

Man, that's

Sam:

awesome.

Sam:

And

Anthony:

having that same, that same feeling.

Anthony:

That was cool.

Anthony:

I think some of the negatives that people are finding are by design and maybe

Anthony:

they're not What is optimal for us and stuff, but willie's a character you're

Anthony:

not supposed to like I don't think and you know living in the darkness I think

Anthony:

is by design as well but it's interesting what you're saying be about like the set

Anthony:

pieces and the age nature of the effects like They don't, I was remarkably still

Anthony:

impressed by all the set pieces and stuff, but I think I just in a different

Anthony:

generation grew up with a different eye.

Anthony:

I hate more of the artificial CGI stuff now than I do.

Anthony:

I think less of that than I do the sort of cheaper miniature stuff and whatnot.

Anthony:

And maybe because I grew up on it, it doesn't bother me as

Anthony:

much because I'm so used to it.

Anthony:

Whereas someone that didn't grow up with the miniatures and the practical sets as

Anthony:

much it stands out more to you because you're used to a more modern image.

Bee:

I love, I ride for practical effects.

Bee:

That is my jam.

Bee:

I just thought they they just kept pushing the action so big.

Bee:

And it was just so relentless to the characters that to me, it just felt like,

Bee:

okay, we've had Indy in a truck chase.

Bee:

What if we kick him out of a plane?

Bee:

That just felt to me like a studio note, trying to push the limits

Bee:

of what the character could do.

Bee:

But I thought the effects were great.

Bee:

I thought the CGI didn't hold up with the practical effects.

Bee:

It was amazing.

Bee:

And I think the sets were great.

Bee:

It's the best part of both movies.

Sam:

I do agree.

Sam:

I do know what you're saying about the tone.

Sam:

This movie has a kind of let's punch you in the face tone to it.

Sam:

It's it's like, you want to see the heart and the fire that is, it's

Sam:

like ruthless like it, there is that.

Sam:

And that's what makes it so different because yes it's darker than Raiders,

Sam:

but the evil of the Nazis is like a deeper, just more human evil of

Sam:

horror that like Raiders is grander.

Sam:

So it's like Temple of Doom definitely feels smaller, but it's it's, I feel like

Sam:

the dark horror tone like compensates for the more like enclosed story.

Anthony:

You with Nazis, you're coming in knowing what the Nazis are

Anthony:

capable of and what they're doing.

Anthony:

And they're already historically scary, but the thuggies, you don't

Anthony:

know anything about them coming in.

Anthony:

So it's how do we make them almost scarier than the Nazis?

Anthony:

What can we do?

Anthony:

So I feel like they had to make them really bad to live up to that.

Anthony:

to Nazis, which they didn't have to show us what the Nazis do.

Anthony:

Cause we all learned about it in school.

Sam:

They are ruthless.

Sam:

And by the way, I've just forgot to include this.

Sam:

You guys will find this hilarious, but no joke.

Sam:

I timed it at the one hour, 24 minute Mark and 33 seconds.

Sam:

There is the weirdest like continuity edit where like Indy has just rescued

Sam:

Willie and Mola Ram is still like on the stage and Indy goes to hit him.

Sam:

And then.

Sam:

This floor panel opens up and Molaram just escapes and he just

Sam:

goes, Whoa, and he disappears.

Nathan:

Very Bond villain esque.

Sam:

If you ever watched that in slow motion, the continuity

Sam:

on that shot is, that is a mess.

Sam:

Like they tried to hide it in the editing, but it's just it's, it looks insane.

Sam:

Yeah.

Nathan:

I want to emphasize just a little bit.

Nathan:

I feel like, I hung up on my gripes with Willie and some of the other things here,

Nathan:

but the thing that really is my hang up is really the writing and some of the tone

Nathan:

of the way these characters are written and the way they're speaking in here.

Nathan:

The comedy in this.

Nathan:

I was not a fan of.

Nathan:

The slapstickiness of this.

Nathan:

I thought the humor, again, I'm going back to comparing and I know you're calling

Nathan:

me out on the Anthony a little bit, but I like, I think Raiders of the Lost

Nathan:

Ark, the humor in that is, is wonderful.

Nathan:

And I have there's like in this, in Temple of Doom, like a moment I do love

Nathan:

where I think that it fits the humor, the tone from Raiders of the Lost Ark

Nathan:

is when he's escaping on the plane.

Nathan:

In the beginning.

Nathan:

And he screams, shouts out to Lao Tse nice try Lao Tse.

Nathan:

He closes the door and the Lao Tse name is revealed on the plane.

Nathan:

And if it ended right there, it's a great moment.

Nathan:

But what I don't like with this movie does, what Spielberg does to hit us over

Nathan:

the head is that you see the reverse of Lao Tse, like signaling to the

Nathan:

pilots ah, And you see that shot and then the pilot's signal back he's like

Nathan:

doing everything he can to constantly hand feed the humor to us in this.

Nathan:

And it's little things like that.

Nathan:

And the course is a lot more slapstick on top of that, but

Nathan:

it's, I feel like no moment can be left to be just funny on its own.

Nathan:

And it's even there was another moment like going back to Raiders there's,

Nathan:

there was a great line and that was, I actually wrote it down here I don't know

Nathan:

where it is anymore but it's just the way that there's, oh, I know what it was.

Nathan:

Another example is when When Indy and Willie, they fall out of the

Nathan:

club and they land in Short Round's car, and he's reaching to the dress,

Nathan:

and I just don't like, lowbrow humor there's no time for love, Mr.

Nathan:

Dr.

Nathan:

Jones, or things like that.

Nathan:

I feel like that line would not exist.

Nathan:

And Rays of the Lost Dark, but I compare that to like in Raiders,

Nathan:

where Marion says lines like, you're not the man I knew 10 years ago.

Nathan:

And Indy would reply with things like, it's not the years, honey.

Nathan:

It's the mileage, which I find to be like subtle humor that I love that tone.

Nathan:

And that's what I miss for this movie is that really suave, the suave

Anthony:

ness.

Sam:

But

Nathan:

It's great writing.

Nathan:

It's great.

Nathan:

Maybe

Sam:

talking to about Willard Huck and Gloria Katz.

Sam:

The writers on this are different.

Sam:

Oh, I know.

Sam:

I know that's gotta be, that's probably,

Nathan:

I noticed

Sam:

that a little bit.

Sam:

Like it's not there.

Sam:

Some of that is, is not the,

Nathan:

but it stands out to me so much these moments in this movie.

Nathan:

And I'm like, Oh,

Sam:

I hear you there for some, it's the one where Lausche like signals to

Sam:

the pilots that didn't, for me, didn't stand out as like a comedy overdone.

Sam:

I just thought it was an action of like, all right, you guys take charge.

Sam:

But this is like,

Nathan:

why would spiel, okay, I know this is the most nit pickiest, nitpick

Nathan:

of the nitpicks is things like that.

Nathan:

I get that.

Nathan:

But it's just like this.

Nathan:

That's something that like Spielberg, like why would he need that shot?

Nathan:

It's things like that.

Nathan:

But I get it.

Nathan:

This is an eighties action movie.

Nathan:

But it feels like this is something that we would see in, they can

Nathan:

all be troubling little child.

Nathan:

, I know I, that is probably not the best example, but it is like.

Nathan:

A microcosm of a lot of things.

Nathan:

I think you and I

Bee:

have a similar, what I think this does really well, and it does

Bee:

in Raiders too, is when it just relies on the visual storytelling.

Bee:

Willie losing the diamond and then the ice comes in and she's

Bee:

got to scramble to find it.

Bee:

That's a great moment that tells you everything you need to know.

Bee:

Her being poked and held at knife point in that opening scene tells you everything.

Bee:

Indie isn't.

Bee:

A great guy all the time.

Bee:

We knew that from Raiders.

Bee:

I love, he's a complicated character.

Bee:

I love that.

Bee:

The shadows come back in some of the action beats and some of

Bee:

the action happens off screen.

Bee:

You just see the effects that is so well done and incredible.

Bee:

Some of the verbal cues are a little more on the nose and they don't

Bee:

always hit the same way that the visual storytelling does for me.

Sam:

I hear you.

Sam:

I think.

Sam:

The visual storytelling, I think the visual storytelling and the,

Sam:

for me, the action set pieces in this movie, the actions are

Sam:

the strongest, they're like the,

Trailer:

they're

Sam:

like the bones, the foundation that like holds the house together.

Sam:

Because I love the mine cart chase.

Sam:

I just, I love the escape from the temple of doom.

Sam:

I feel like that third act is its own like fast paced, rickety, like adventure ride.

Sam:

Like I was just glad to be out of there by that point.

Sam:

There's also character

Nathan:

moments.

Nathan:

Indy is seeing a child being whipped at one point.

Nathan:

He throws a rock at that guy.

Nathan:

What the hell?

Nathan:

He totally forgot where he was.

Nathan:

I just hate the fact that Indy is now, in this movie, like a brash,

Nathan:

sometimes really stupid character.

Nathan:

And He's supposed to be like this brilliant, able to think

Nathan:

his way through problems.

Nathan:

And in this case, he just throws a rock to get the attention

Nathan:

of the entire thuggy cult.

Nathan:

I see, I like

Sam:

the throwing of the rock.

Sam:

Cause I thought that was a very typically Indiana Jones moment

Sam:

where he just is like improvising and he's overcome by his emotion.

Sam:

I feel like I'm watching

Nathan:

a completely different character in this movie.

Outro:

So one way he's.

Outro:

Oh, go ahead, Anthony.

Anthony:

I was going to say that the thing you view as a flaw, I was

Anthony:

complimenting in the fact that I love the antihero that is Indiana Jones

Anthony:

and that he's not always perfect.

Anthony:

And he often makes mistakes that put himself in more peril.

Anthony:

Like anyone, I know really smart people that do really stupid

Anthony:

emotional things sometimes.

Anthony:

And so I love that there's that side of him.

Anthony:

It makes him more three dimensional.

Anthony:

If he was perfect through everything and thought through everything

Anthony:

and did everything by the letter.

Anthony:

He'd be so boring.

Anthony:

The fact that he does these things, you're like, no, oh no.

Anthony:

But

Nathan:

I get it, but it's, it just seems like we've betrayed a character

Nathan:

that I already thought I knew.

Nathan:

It just seems like something that, the other thing I have to keep in

Nathan:

mind is that this is a prequel and maybe he learned from his mistakes,

Nathan:

which is why he is different.

Bee:

I think it's weird that they bothered to classify it as a prequel

Bee:

because they're just serious.

Bee:

Here's the other

Nathan:

thing.

Nathan:

When I saw this in 84.

Nathan:

I never really made the connection that this was a prequel.

Nathan:

I think I'd only seen Raiders maybe one time.

Nathan:

Cause I did see in the theater, by the way, I saw Raiders in 1981 in the theater.

Nathan:

Scared the hell out of me.

Nathan:

And it was one of the first movies my dad brought me to see.

Nathan:

I was seven or whatever, how old I was.

Nathan:

And I don't think I had, I'd ever saw, I don't know if I had

Nathan:

HBO or, So I saw, here's the other thing that's really funny.

Nathan:

I didn't even know that Indiana Jones was the same actor that was Han Solo,

Nathan:

because until I saw the opening scene at the nightclub when Indiana Jones is

Nathan:

clean shaven, that's the only time I think in the entire series he's clean

Nathan:

shaven, I'm like, he looks like Han Solo.

Nathan:

And that's when I finally made the connection.

Nathan:

There's the same actor but but that's the thing I, until these movies

Nathan:

were on home video or HBO, like when you see the year title card, like I

Nathan:

never knew that or I don't think a lot of people made that connection.

Bee:

He does something that's outside of.

Bee:

What we assume his character to be from Raiders at the end of this movie

Bee:

for the better, I think, which is he gives the stone back to the people

Bee:

who back to the village that needs it because Indy is an archaeologist, right?

Bee:

He's an academic.

Bee:

He's an archaeologist and he's these movies are pretty Morally ambivalent about

Bee:

the colonialism of archaeology and is

Nathan:

there ever a doubt he was gonna return the stone if he got it?

Bee:

No, but I think, like the British led Indian armed forces save

Bee:

the day at the end of this movie.

Bee:

And I just think it's You know, the movie doesn't really care about those things

Bee:

or explore those themes at all, but it's the nature of Indian Jones is that he

Bee:

goes into these places, he takes these idols, and then he brings them back to

Bee:

his European museums, his Western museums.

Bee:

However, whatever you think about that or feel about that's, what he's doing, but

Bee:

he gives it back at the end of this and he says, Hey, there'll be another day.

Bee:

And I just thought that was a nice character moment for him.

Bee:

Speaking

Sam:

of the British.

Sam:

Oh, no.

Sam:

Go ahead, Anthony.

Sam:

Just to button that

Anthony:

in defense of Indy in this moment, most of the other artifacts

Anthony:

he's going has gone after to this point are ones by civilizations that

Anthony:

don't really aren't around anymore.

Anthony:

There are other people going after them.

Anthony:

The Ark of the Covenant and all that aren't using, but this in a world

Anthony:

where this sort of magic is real.

Anthony:

And this tribe of folks, this village, is using these stones for a purpose,

Anthony:

for their crops and their world.

Anthony:

So it's not that this stone is just something that people are

Anthony:

trying to get for modern use.

Anthony:

It's not a relic.

Anthony:

It's not a relic.

Anthony:

It's a modern jewel.

Outro:

That's a good point, yeah.

Sam:

And I totally hear you.

Sam:

It makes no attempt to analyze the like time periods or like the Not at

Sam:

all, but I do love the that's fine.

Sam:

Speaking of it doesn't have to British imperialism Colonel or

Sam:

General Bloomberg, that British actor.

Sam:

Blum I do the end John Williams is somewhat imperialistic and like when

Sam:

the British show up at the very end.

Sam:

I love John Williams.

Sam:

He's like overjoyed.

Sam:

He's Shoot them if they won, just like straightforward, like flat adventure.

Sam:

But that, tonality, amusing wise I

Bee:

love the scores of both of these movies.

Bee:

I was jamming out on the ferry ride to work today.

Sam:

I do love the score.

Sam:

I think my favorite musical cue in the whole movie is like, they're just leaving

Sam:

the village and then it the camera pushes in on the priest and he's just like

Sam:

standing there wishing them good luck.

Sam:

Then it cuts to this wide shot of them on the elephants crossing a river and John

Sam:

Williams theme just explodes until we're heading to Pancot Palace adventure mode.

Sam:

Amazing.

Sam:

Who knew

Anthony:

that the lead singer of Toto's Dad was so talented?

Anthony:

I know.

Anthony:

No, Joe Williams dad is just amazing.

Anthony:

It's true.

Anthony:

Is that something you knew, Nathan?

Nathan:

No, I didn't.

Nathan:

I was trying to act smart and not say anything.

Anthony:

Ah, you you know so much about music.

Anthony:

I figured that's one that I wouldn't be able to get you.

Nathan:

That slipped by.

Nathan:

I only

Anthony:

learned that a couple of months ago and I was blown away.

Nathan:

Anything else here to, I made a couple dumb notes here that

Nathan:

you guys are going to shout at me.

Nathan:

I think the entire mind chase.

Nathan:

at the end is great, but it's also unnecessary because they're

Nathan:

told by the young Maharaja, you must take the tunnel on the left.

Nathan:

No, they just had to go out the front door like all the other kids.

Nathan:

I made that note.

Nathan:

The Maharaja

Bee:

reminded me of the Imperial being in the Neverending Story.

Bee:

Maharaja is actually played

Nathan:

by a girl.

Nathan:

Yeah.

Nathan:

Yeah.

Nathan:

Yep.

Nathan:

And what do you, okay, I have one other note here and we're

Nathan:

probably going backwards here.

Nathan:

I think B, you mentioned this early in your review.

Nathan:

After the dinner, Indy and Willie start this flirting and they what the hell?

Nathan:

I, there's no, Sure.

Nathan:

There's no sex ritual that's built up at all.

Nathan:

Least I observed in this and I just,

Bee:

I, it reminded me, have you seen the movie from the fifties Pillow Talk?

Nathan:

No, I know of it.

Bee:

It's the same kind of, not so chemistry.

Bee:

Yeah, it's, I just, I was glad we got another mirror scene, a

Bee:

different kind of mirror scene.

Bee:

I thought that was fun.

Bee:

. No, whatever, they're two horny hot adults in a palace.

Bee:

Yeah, they're

Sam:

both stuck in a palace what are you, what are they gonna do?

Sam:

Any kind of Have drugs for dinner,

Nathan:

give them a break.

Nathan:

If there was some, if there was just a kernel of sexual attention

Nathan:

that was planted somewhere I love it because it tell

Bee:

Neither of them are as attracted to other people as they are themselves.

Bee:

And Spielberg and Lucas just give them a mirror and that's it.

Bee:

It's perfect.

Bee:

I loved it.

Nathan:

I don't know, but if you're going to have them bickering for 30

Nathan:

minutes, you got to Plant some seed.

Nathan:

It was not 30 minutes.

Sam:

It was like six.

Sam:

I was like timing the movie last night.

Sam:

Like it's not 30 minutes.

Nathan:

Six minutes.

Nathan:

They, that scene has got to be 30 minutes.

Nathan:

Cause right before they go into the temple.

Nathan:

No, it's six

Sam:

minutes.

Sam:

And then the other 15 minutes is the spikes and the bugs

Sam:

and there's a whole set piece.

Anthony:

You've never fallen into bed with someone that you yourself

Anthony:

thought you didn't, couldn't stand.

Anthony:

Until you're kissing.

Sam:

You think you also couldn't run out the front door.

Sam:

The minecart chase was necessary because of some reason they explained in the

Sam:

plot, but I can't remember right now, but I get back to you on that one.

Nathan:

No, I'm glad the minecart chases in this, but I think it's, I think like,

Nathan:

why didn't they just go out the front?

Nathan:

Why not?

Nathan:

All the other kids could do it, but

Bee:

I was I enjoyed the minecart chase, but there was some small itch in the back

Bee:

of my brain that was so cynical about the.

Bee:

like merchandising of this film.

Bee:

I was like, Oh, I'm probably setting up a ride.

Nathan:

So have you not been to Disney's like Indiana Jones ride?

Nathan:

No.

Nathan:

Oh my God.

Bee:

No.

Nathan:

It's not a mine cart ride, but you're in like a

Nathan:

Jeep and it's really cool.

Bee:

Zero encounters with Indiana Jones in my life, except for, I knew he wore a hat.

Sam:

You almost get hit by the boulder in the ride.

Sam:

Like you think you're going to, then you go like underneath it.

Sam:

Yeah.

Sam:

That's pretty cool.

Sam:

That's pretty fun.

Nathan:

It's pretty

Sam:

good.

Sam:

It's pretty good.

Sam:

It's pretty good.

Sam:

Yeah.

Sam:

Yeah.

Nathan:

Yep.

Nathan:

I got anything else to say?

Nathan:

Booby.

Nathan:

The booby trap room is a great set piece also.

Nathan:

That's,

Sam:

I, yeah.

Sam:

I

Bee:

love that Spielberg loves that set piece.

Bee:

Dude, that's one of

Sam:

his favorite set pieces in the whole series.

Sam:

He does mention that.

Sam:

So I that was, yeah.

Sam:

That

Bee:

was so gripping.

Bee:

Yeah.

Bee:

Nathan, how did you feel with

Anthony:

comedy in that?

Bee:

Oh, I thought that was funny when he's come on, just pull the lever.

Bee:

And she's it's good.

Bee:

That's it.

Bee:

When she bumps the thing

Nathan:

and it resets everything again, like the code is the best part.

Nathan:

No, I liked it.

Bee:

No, it wasn't.

Bee:

It wasn't that it was just, it was really just the huge set pieces that

Bee:

went on for a long time and just kept, I think the plane and some of the,

Bee:

my card, I was just like, Oh my God.

Anthony:

So B, just for clarification, are you with me

Anthony:

and Sam or are you with Nathan?

Anthony:

There's no team.

Anthony:

I'm firmly

Bee:

in the middle.

Bee:

I'm a three star,

Outro:

man.

Sam:

You just reminded me of of the dwarf and the hobbit and they're like, will

Sam:

you have peace or will you have war?

Sam:

And he's I will have

Outro:

war!

Bee:

War!

Bee:

No, I think.

Bee:

I think where I'm different, I would watch this movie again.

Bee:

And I think going in knowing what it is, I would watch it when I'm

Bee:

in the mood for that type of movie.

Bee:

I think if I'm in the mood for a big adventure movie, No, if

Bee:

I'm in the mood for an action y, big budget kind of movie, sure.

Anthony:

I'm hoping, I'm just trying to sway you to our side because I

Anthony:

want Nathan to go to bed tonight questioning his life choices, thinking

Anthony:

he's made a mistake, and that he

Trailer:

should

Anthony:

give this credit.

Nathan:

Anthony, you don't need to sway any, do anything for

Nathan:

me to think that already, okay?

Nathan:

Every night.

Bee:

I took some notes while I was watching this and.

Bee:

I just have a note that says the temple kills go so hard.

Bee:

They go so hard, and I, that's positive.

Bee:

I thought that was nice.

Bee:

Yeah, those things are rough when the guy gets crushed by those boulders.

Bee:

I also like that they show what happens in the lava cage

Bee:

before they do it to Whitley.

Sam:

Yes.

Sam:

So you're

Bee:

like,

Sam:

oh shit.

Bee:

I do love it when that guy

Sam:

like falls off the back of the mine or falls in the tracks and the

Sam:

other cart hits it and they go flying.

Sam:

To me that was always like a whomp by the luamp like woohoo!

Bee:

It's fucking brutal man.

Bee:

And the alligators, those alligators ate well that day.

Bee:

And

Anthony:

that bridge scene I look at

Trailer:

the

Sam:

bridge was that was an, and that was all real.

Sam:

That bridge was there and Spielberg refused to cross it because he was

Sam:

afraid of he didn't want to do it.

Sam:

And Harrison Ford just ran across it, built the bridge.

Sam:

Like they got the local military to build it with all these supports.

Sam:

Like it was the safest bridge ever.

Sam:

And then they detonated it.

Sam:

With like wire cutting explosives and they had they had dummies on

Sam:

the bridge that were mechanical that would like their heads would move.

Sam:

And so when they're falling off the bridge, that's why the people look real.

Sam:

Cause they're like, moving.

Sam:

But then when you see the making of the scenes and they all fall on

Sam:

the river, it's hilarious because the dummies are still turned on.

Sam:

So the fall should have killed them.

Sam:

And you just see them like flapping around in the water, turn them off,

Nathan:

I think about Mullah Rahm's fall afterwards and That didn't look great.

Nathan:

Didn't look good.

Nathan:

But you know what?

Nathan:

I compare, I can't, I have to compare movies, but what if he had fallen

Nathan:

like Hans Gruber does in Die Hard?

Nathan:

Would that have been better?

Nathan:

If you saw this slow descent?

Sam:

It would have been cool, but Even though it looks, it totally looks fake.

Sam:

The fact that they have like a camera move in the fall, like

Sam:

following him, like usually in the eighties, they just have static Matt

Sam:

shots where someone like recedes.

Sam:

And so I liked the effort.

Sam:

It's one of those things where it doesn't look real, but I applaud

Sam:

what they were like trying to do.

Sam:

That's more grace than I give it.

Bee:

That's more grace than I give it.

Bee:

I do think there's so many relentless kills and so many long set pieces

Bee:

in this movie that it's a little underwhelming when the big baddie dies.

Bee:

It's just yeah, it's like, all right, we had to get, it's takes a minute.

Bee:

I do love

Sam:

it when he jumps, when he bounces off that rock, when he's falling

Sam:

and it's he flies out of the frame.

Sam:

I always liked that.

Sam:

It's like the guy hitting the propeller in Titanic,

Anthony:

one thing I learned was.

Anthony:

The the big dude that Indy fought was the same, played by the same guy from the

Anthony:

propeller, propeller plane in Raiders.

Anthony:

Same Mack.

Anthony:

Oh, no way.

Anthony:

I had, I never knew that.

Nathan:

I didn't realize that although that's Pat Roach who played several

Nathan:

characters, he plays the big thuggy and I think in Temple of Doom, and he plays

Nathan:

the guy that gets caught up in the fan.

Nathan:

As well, that was where he's wearing some blackface.

Sam:

That's where Harrison Ford where he, when he's like flipping him over his

Sam:

back, that's when he herniated his back in that middle of that action scene.

Sam:

Must

Nathan:

have been

Sam:

fable.

Nathan:

There he Spielberg was known for casting multiple actors in a couple roles.

Nathan:

Because even in Raiders, the the actor who, not Alfred Molina, but the other

Nathan:

guy that they're on the expedition with in that movie, the guy that

Nathan:

betrays him, that he turns around and whips the gun out of his hand.

Nathan:

He is, It's the guy that has the monkey on his, the chimpanzee on his shoulder.

Nathan:

Same actor.

Nathan:

Oh wow.

Nathan:

You didn't have to clarify

Outro:

that it wasn't

Bee:

Alfred Molina because when Alfred Molina comes on screen, I know.

Bee:

I know.

Bee:

You're not fooling me.

Nathan:

But it's the other guy.

Sam:

I can see not recognizing Pat Roach at all, cause like when he's

Sam:

in Temple, he has the turban and it's completely covered up and then in

Sam:

Raiders he's bald and he's like in the

Nathan:

And spoiler alert, Pat Roach is in Last Crusade, but a very small role.

Nathan:

Their idea was for him to have a much bigger role in that

Nathan:

movie, but it got cut out.

Nathan:

But you'll see him.

Nathan:

Imagine me and

Bee:

Pat Roach like this.

Bee:

He's a Nazi.

Bee:

He's a Nazi.

Bee:

He's a Nazi.

Nathan:

Yeah.

Nathan:

Yeah.

Nathan:

Okay.

Nathan:

I think we can take a break and we'll get to our vault decisions

Nathan:

on this as soon as I pull this up.

Nathan:

All right.

Nathan:

Thanks everyone for joining our transmission.

Nathan:

We truly appreciate you tuning in.

Nathan:

Contrary to popular belief, we do like people.

Nathan:

Don't let the theme of the show lead you to believe that you're not welcome

Nathan:

to share your thoughts and opinions on the films we are discussing.

Nathan:

If you have seen Indiana Jones and the Temple of Doom, we would love

Nathan:

for you to share your thoughts about it, so please drop us an

Nathan:

email at backtotheframerateatgmail.

Nathan:

com.

Nathan:

We may even read it on the podcast.

Nathan:

You can also share your thoughts and opinions of our show and films.

Nathan:

We discuss on our socials at back to the frame rate.

Nathan:

And if you're joining a show, please, we'd be very grateful if

Nathan:

you take a moment and kind of review us on Apple podcast, Spotify, or

Nathan:

wherever you listen to our show.

Nathan:

We thank you all in advance.

Nathan:

Okay.

Nathan:

Let's get to our verdict on this, our decision.

Nathan:

So B.

Nathan:

Is Temple of Doom a movie that needs to be saved into our vault

Nathan:

into the post apocalyptic times to be seen for this few generations?

Nathan:

No.

Bee:

Not Raiders.

Bee:

Hell yeah.

Nathan:

Okay.

Nathan:

Anthony, you get a vote.

Nathan:

You're a guest, so you always get a vote.

Nathan:

I'm trying to tell our, being Sam that, especially Sam here, because

Nathan:

he likes to save everything.

Nathan:

Because he thinks it's just like a big hard drive.

Nathan:

It's not.

Nathan:

It's, 35 and 70 millimeter prints.

Nathan:

And it's only like the size of this room, I'm trying to tell him.

Nathan:

So we can only save so many movies.

Nathan:

No.

Anthony:

No.

Anthony:

All right.

Anthony:

No, I can't believe I'm saying no, but if that's the scenario and

Anthony:

that's the size, it's a film credit.

Anthony:

It

Nathan:

is.

Nathan:

We only saved so many.

Nathan:

High stakes.

Nathan:

Okay, Sam?

Sam:

I would save it because I like the variety, and I like the variety

Sam:

of Indiana Jones, and I know you're getting your gleeful evil moment, Nathan,

Sam:

and enjoy it while it lasts, cause you'll lose friends one day, anyway.

Sam:

I'll put

Trailer:

it

Sam:

in

Trailer:

the ballpark.

Nathan:

Smiling

Sam:

bastard.

Nathan:

What

Sam:

if I say yes,

Nathan:

just to, no for all the reasons I've mentioned before, I

Nathan:

have major issues with the tone and the writing of this movie.

Nathan:

And it's, I think there's a much better films in this franchise and

Nathan:

we're going to be watching them

Nathan:

at least one more.

Nathan:

So no.

Nathan:

And.

Nathan:

One vote out of four does not cut the mustard, so

Nathan:

Never to be watched again by anyone.

Sam:

I feel like I let Sam

Nathan:

down.

Sam:

Nah, you didn't, man.

Sam:

You just gave Nathan his He's been looking forward to this.

Sam:

You gave him his evil moment where he's I take

Nathan:

no pleasure.

Nathan:

I take no pleasure.

Sam:

see it in your eyes.

Sam:

I see the evil glee.

Sam:

No, I'm just kidding.

Nathan:

Of course.

Nathan:

We saved the great outdoors, Sam.

Nathan:

We did.

Nathan:

Oh, wait a minute.

Anthony:

Wait a minute.

Anthony:

Wait a minute.

Anthony:

Wait a minute.

Anthony:

I wasn't there

Bee:

for that episode.

Bee:

I want to be clear.

Bee:

I was out sick.

Anthony:

But save the great outdoors?

Anthony:

I'm changing my vote.

Anthony:

Yeah,

Sam:

there's plenty of room.

Sam:

But even

Bee:

if It doesn't matter if you change your vote, Anthony.

Bee:

It's still not a majority.

Sam:

It's a tie, it's

Nathan:

a tie.

Sam:

It

Nathan:

doesn't matter.

Bee:

It doesn't matter.

Bee:

It's an S& E majority.

Nathan:

What?

Nathan:

Who do you think we're going to take this to Harris?

Bee:

Oh, I'm sorry.

Bee:

Are we going to take this to Florida for a hanging Chad?

Bee:

No, you're fine.

Bee:

It's a tie.

Anthony:

The great outdoors.

Nathan:

It was two people on that podcast though, wow.

Nathan:

If you had shown up, I think it still may have gotten in.

Anthony:

Absolutely.

Anthony:

Sounds like you stacked the deck.

Nathan:

Yeah.

Bee:

Fishing with the right bait.

Bee:

Ernest goes to

Nathan:

camp, did not go in, even though I think Sam said yes,

Sam:

I'm going to say no to every other Indiana Jones film now.

Nathan:

Okay.

Sam:

It's just, there's not enough space.

Sam:

Like you said, it's the size of the room.

Sam:

If you go by that logic, there's no space.

Nathan:

Sam, are you crying?

Nathan:

I see you wiping them out.

Nathan:

I am.

Nathan:

I'm weeping.

Sam:

I'm weeping.

Sam:

I'm weeping tears right now, yeah.

Sam:

No, actually, my eyes are itching me.

Nathan:

Okay,

Opening:

alright.

Bee:

Sam's I'm just allergic to your bullshit opinions.

Bee:

I'm

Nathan:

so sorry.

Nathan:

Alright.

Nathan:

Let's do a quick movie pairings.

Nathan:

I have my bumper here.

Nathan:

Sir?

Bumper:

Sir?

Bumper:

Aren't either one of these any good?

Bumper:

I don't watch movies.

Bumper:

Have you heard anything about either one of them?

Bumper:

I find it's best to stay out of other people's affairs.

Bumper:

You mean you haven't heard anybody say anything about either one of these?

Bumper:

Nope.

Bumper:

What about these two?

Bumper:

They suck.

Nathan:

Alright, movie pairings this week.

Nathan:

This is where each of us will pick a movie as a double feature with

Nathan:

Indiana Jones and then Temple of Doom.

Nathan:

This can go in any direction.

Nathan:

You could do another action movie or another movie with Harrison Ford.

Nathan:

It could be, it's wide open.

Nathan:

Whatever you want to do.

Nathan:

Let's begin with B.

Bee:

I changed mine at the last minute.

Bee:

I'm watching you

Nathan:

on the Google document.

Nathan:

I'm swooping

Bee:

in.

Bee:

I'm changing it.

Bee:

Because our conversation got me thinking.

Bee:

1952, Gregory Peck, Ava Gardner travel to Kilimanjaro.

Bee:

The Snows of Kilimanjaro, based on the Hemingway novel way

Bee:

better than the Hemingway book, I think way less dark, anyway.

Bee:

No, I think it's great.

Bee:

It's it's beautiful to look at.

Bee:

It's wonderfully shot.

Bee:

But if you are into indie for the adventure aspect, if you're into indie

Bee:

for the sort of super spicy, flash in a pan romances, if you're into Indy 4.

Bee:

The challenge of man versus nature and man versus his own demons.

Bee:

This is great.

Bee:

This ticks a lot of boxes for me.

Bee:

I might say it's the better movie of the two, but watch both, you decide.

Bee:

It's on VOD.

Bee:

It can be a little bit hard to find, but I watched it recently on Prime.

Bee:

I think I can rent it for a couple bucks, but well

Nathan:

worth.

Nathan:

I have never seen this.

Nathan:

It's great.

Nathan:

All right.

Nathan:

Wow.

Nathan:

I want to see this.

Nathan:

Great.

Nathan:

Yeah.

Nathan:

Sam, you got some?

Nathan:

Or Anthony, let's go to you.

Nathan:

Anthony, you got something?

Nathan:

You got I think a variety four.

Anthony:

I do have four, so I'll give it to you.

Anthony:

Gotta pick one.

Anthony:

You wanna fight?

Anthony:

Nathan can pick of the four then I can't.

Anthony:

All right.

Anthony:

It's Gungadin, which was a influence on Temple of Doom.

Anthony:

So if you want to go to the DNA of Temple of Doom and bring

Anthony:

one of the influences to it.

Anthony:

Youngin African Queen.

Anthony:

The African Queen, The Remlins, or Poltergeist.

Anthony:

Two films that everyone thinks Steven Spielberg directed

Anthony:

and he did not, but he did.

Anthony:

Exactly.

Anthony:

Yeah.

Nathan:

Oh I'm familiar with, I don't know Gunga Din, but I

Nathan:

know obviously the other two.

Nathan:

It's a lot

Bee:

like Templeton.

Bee:

Yeah.

Nathan:

All right.

Nathan:

Great.

Nathan:

Sam, what do you got?

Sam:

Less horry and more action y, but I would definitely for if you're,

Sam:

came out the same year, if you're in the mood for another action eighties

Sam:

adventure with globe trotting and set pieces, I would, and charismatic

Sam:

characters, I would recommend Romancing the Stone, Robert Zemeckis film.

Bee:

Hell yeah.

Sam:

And if you could

Bee:

time travel, you could do that actual double feature in the theater.

Nathan:

That's true.

Nathan:

That is true.

Nathan:

You could have.

Bee:

That would be fun.

Nathan:

And B, you still don't believe that Jewel Nile is a real movie?

Outro:

What?

Outro:

No, that's some bullshit.

Outro:

Sega game, don't lie to me.

Sam:

Jewel of Wait.

Sam:

Jewel Nile is real.

Sam:

That's the sequel.

Bee:

She doesn't believe us.

Bee:

No, it's not.

Bee:

It's just, it's a Sega Fever dream you had on.

Bee:

It's got a good it's got a good set

Sam:

piece with an F 18 in it, or like they're stuck in some plane or something.

Sam:

No,

Bee:

it does Everything you're saying sounds like a movie.

Bee:

That's, that your characters in the movie are watching.

Bee:

It's not real.

Sam:

It's not as good as the first one, but I'll give it that.

Nathan:

Is do you know where Romance in the Stone might be streaming?

Nathan:

Or is it just on VOD now?

Nathan:

Do you know?

Sam:

Oh, I'm not sure.

Sam:

Let me check.

Sam:

It looks like it would be on Amazon Prime.

Nathan:

All right.

Nathan:

Cool.

Nathan:

My movie pairing this week, I decided to pick a film that I feel that

Nathan:

Spielberg and Lucas looked at as a major influence in this franchise, especially

Nathan:

this film, probably Raiders as well.

Nathan:

I'm going with the mummy from 1932.

Nathan:

There are, there's several versions of the story that have been adapted to the

Nathan:

screen, and I do like the Brendan Fraser.

Nathan:

Film from the late nineties.

Nathan:

This one is directed by Carl, friend, German.

Nathan:

Thanks.

Nathan:

Thanks, Sam.

Nathan:

Assuming that's you he only directed a handful of films, but was he

Nathan:

was a trailblazing cinematographer of the twenties and thirties.

Nathan:

And I was reading about him.

Nathan:

I, it looks like he was the first cam operator who began using a camera free.

Nathan:

Using a camera free from a tripod mount.

Nathan:

He would walk around the set and shoot scenes with the

Nathan:

camera strapped to his stomach.

Nathan:

So if you really think about it, he was the first guy to use a Steadicam.

Nathan:

So that's pretty cool.

Nathan:

That's neat.

Nathan:

Yeah.

Nathan:

The Mummy came a year out after Frankenstein.

Nathan:

And I still think it's maybe, this might be my second favorite

Nathan:

of the Universal Monster movies.

Nathan:

I think Temple of Doom and The Mummy would make a great double

Nathan:

feature because you got that Temple of Doom is, by far the pulpiest.

Bee:

Universal Horror is a great choice for this.

Bee:

Yeah.

Nathan:

This Temple of Doom is like the pulpiest of the franchise.

Nathan:

And there's so many set pieces and characters and villains paying

Nathan:

homage to, I feel like, The Mummy.

Nathan:

And you've got the archaeological mysticism, the trap room,

Nathan:

especially, foreboding temples and that subterranean lairs.

Nathan:

It's, yeah it's a fun pairing.

Nathan:

And it's unfortunately though,

Bee:

what the nineties version has going forward is that

Bee:

everybody in that movie is hot.

Nathan:

Yeah, you could also go with that.

Nathan:

It'd be a good, but the mummy is ripping off this franchise.

Nathan:

That's the thing.

Nathan:

Yeah, it's all good.

Nathan:

It's all good stuff.

Nathan:

All good stuff.

Nathan:

Yeah.

Nathan:

So yeah, that's my pick.

Nathan:

All right.

Nathan:

Let us know anybody listening.

Nathan:

If you like our picks, if you might.

Nathan:

Pick any of these for a movie night.

Nathan:

All right.

Nathan:

Okay.

Nathan:

Last thing we'll do is weekly highlight.

Nathan:

If anybody wants to just mention anything that they watched or did this

Nathan:

past week, we didn't talk about this prior to hitting the record button.

Nathan:

So I don't know if anyone has anything they want to mention.

Sam:

Beetlejuice.

Sam:

Yeah.

Sam:

It was a lot of fun.

Sam:

I really enjoyed it.

Sam:

Second largest September box office ever.

Sam:

I was not expecting that impressive, huge numbers.

Nathan:

110 million, I think, around there.

Nathan:

Yeah.

Nathan:

It

Sam:

did well.

Bee:

I liked it.

Sam:

It's good.

Sam:

Enjoyed it.

Bee:

It's good.

Nathan:

I didn't really get to see, I saw a few things this week, but nothing

Nathan:

I really, it's worth checking out.

Nathan:

Mentioning.

Nathan:

Hey, one thing I will say, I'm almost done with my Robert Altman retrospective.

Nathan:

I got three films left.

Nathan:

That

Bee:

took some friggin commitment, man.

Nathan:

34 films.

Nathan:

Almost done.

Nathan:

Again, Anthony, I ask myself every night, what have I done with my life?

Bee:

They can't all be winners.

Nathan:

I know.

Nathan:

No, they're not.

Nathan:

Give us the David

Sam:

the Dome on Nick Jr.

Sam:

There's 25 episodes and there's a fox and there's, Fishes and there's trolls.

Sam:

It's pretty good.

Nathan:

But what I do want to share a quick story.

Nathan:

A week ago I was visiting my doctor and this is not a story about, Oh

Nathan:

my, my back or anything like that.

Nathan:

But he was, I have had this foot issue, but what he really wanted to ask me

Nathan:

aren't you the guy that does a podcast?

Nathan:

Cause you were mentioning that six months ago.

Nathan:

I don't remember doing that.

Nathan:

And he asked me, what's the name of your podcast?

Nathan:

And I tell him it's back to the frame rate.

Nathan:

And he says, I'm traveling to Maine next week, and I really

Nathan:

want to listen to something.

Nathan:

This is not my primary, but a specialist.

Nathan:

And he says, I don't really know how to use my iPhone.

Nathan:

And he hands it to me.

Nathan:

And can you get my, your podcast subscribed?

Nathan:

Can you subscribe to it on my iPhone?

Nathan:

So a doctor with all of his contacts and personal stuff on there hands

Nathan:

me his iPhone and I'm like going through it, subscribing our podcast.

Nathan:

That's awesome.

Nathan:

So it's just really funny that we, I guess our relationship is a little closer

Nathan:

than maybe doctor patient should, but I just, that was really funny that I ended

Nathan:

up subscribing our podcast to my doctor.

Nathan:

That's awesome.

Nathan:

Yeah.

Sam:

So go on to the notes section to see if he typed any banking

Sam:

codes or anything like that.

Bee:

I was going to say if he recruits like four more of his friends, we can

Bee:

say four out of five doctors recommend.

Nathan:

Oh, that'd be great.

Nathan:

Yes, if you're listening , I don't know.

Nathan:

But

Nathan:

that's all.

Nathan:

Not the best story, but I thought that I love it.

Nathan:

I got a kick outta that he trusts me enough to hand me over his phone.

Nathan:

I love it.

Nathan:

That's all I got.

Nathan:

I'll tell, I, I watched, I finally watched that Mark Wahlberg

Bee:

movie, Arthur the King with the dog where he's a runner.

Bee:

Oh, okay.

Bee:

Or like a triathlete.

Bee:

And he goes and wants it.

Bee:

It just, I.

Bee:

I had a movie day yesterday.

Bee:

I was watching Temple of Doom.

Bee:

I watched a bunch of, Temple of Doom, I watched a bunch of other movies and

Bee:

that was one of them and it weirdly just made Temple of Doom the second

Bee:

movie I saw that had like a scary bridge moment, which I just didn't expect.

Bee:

I should watched, should have watched the pairing.

Sam:

You should watched Bridge, you should have watched

Sam:

Bridge to Tara Bia after that.

Bee:

Oh man, that's a, oh wow.

Bee:

So fucking, that's a bummer.

Sam:

Because she drowns.

Bee:

Spoiler!

Sam:

Sorry!

Nathan:

Alright Jesus!

Nathan:

Next week we've got Indiana Jones and the Last Crusade Anthony, Wh,

Nathan:

where, anything you want to plug?

Nathan:

Anything you want to mention where people can find you?

Nathan:

I think I had some

Anthony:

things but my mind went completely blank the minute you said

Anthony:

you were having problems with your Face.

Anthony:

foot.

Anthony:

I think I just like mentally shut down.

Nathan:

No,

Anthony:

I want to plug back to the frame rate.

Anthony:

Subscribe.

Anthony:

Share Nathan's podcast

Bee:

recommended by four out of five doctors in Massachusetts.

Bee:

Recommended by one out of two.

Nathan:

All my doctors to get on that page.

Nathan:

Best podcast

Sam:

ever.

Nathan:

Follow Anthony Ambrosino, all of his film endeavors.

Nathan:

He does good work and you can probably find everything he's done on IMDb.

Nathan:

Any, is there a website, Anthony or any people want to contact you?

Nathan:

It's fine.

Nathan:

Okay.

Anthony:

People want to contact me.

Anthony:

Give me a call.

Anthony:

I'm easy to find.

Nathan:

Sounds good.

Nathan:

All right, then that's it.

Nathan:

That's our show this week.

Nathan:

Back to the framerate is part of the Western media podcast network.

Nathan:

We wish to thank Brian Ellsworth for our show opening on behalf of all of us.

Nathan:

We bid you farewell from our fall shelter.

Nathan:

Your presence in our underground sanctuary is truly appreciated.

Nathan:

We are truly sorry.

Nathan:

You cannot join us.

Nathan:

But we want to express our gratitude for your company.

Nathan:

If you are finding solace in our discussions, we kindly ask that you

Nathan:

please subscribe and leave a rating or review on Apple podcasts, Spotify,

Nathan:

or whichever portal connects you to our broadcast there, you can find more

Nathan:

episodes of this podcast and also on our website, back to the frame rate.

Nathan:

com.

Nathan:

And on our socials, Facebook, Instagram, Twitter, TikTok, YouTube.

Nathan:

Threads.

Nathan:

Oh, all the other ones.

Nathan:

I can't even think of them all.

Nathan:

But, and that's at back to the frame rate, your support is the beacon of

Nathan:

light that brightens our confined space until we emerge from the fallout.

Nathan:

Stay with us, keep hope alive and keep those reviews coming.

Nathan:

This is the end of our transmission back to the frame rate, signing off.

Opening:

I want you to know it's over.

Outro:

Well,

Outro:

bye.

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About the Podcast

Back to the Frame Rate
Preserving Our Civilization One MOVIE At A Time

In the vast realm of film rankings – AFI's 100, Sight & Sound's Greats, 1001 To See Before You Die, IMDB's Top 250, Roger Ebert's Picks, and so on – there's a glaring omission: STAKES! Picture this: an asteroid the size of Texas hurtling toward Earth, a threat even Bruce Willis and his motley crew of oil drillers can't thwart. We're left with a front-row seat to our impending doom. Fear not, fellow film nerds, for we've constructed a fallout shelter, a haven for cinematic survival. Sadly, the space is tight, just enough for us and our cherished 35mm & 70mm film reels. To friends, family, and old acquaintances left in the cinematic dust, our apologies. But fret not, for we vow to emerge when Earth is safe for repopulation. We've preserved the very soul of civilization, ensuring a future where storytelling thrives. Back to the Frame Rate, saving the world one reel at a time! 🎥✨ Hosted by Nathan Suher, Sam Coale, and Briana (Bee) Butterworth.

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About your hosts

Nathan Suher

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Bee Butterworth

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