Episode 75

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Published on:

29th Jul 2024

Twisters (2024): Is This the Perfect Summer Blockbuster We’ve Been Waiting For?

"You don't chase your fears, you ride them"; Never has a movie quote taken on a whole new meaning in it's proper context. We watched TWISTERS this week! Join us for our opinions on this "lega-sequel" and if it's better or worse than the original. Stick around after our review as we all share our TOP 5 FAVORITE Disaster Films.

05:27 Movie Facts

12:24 Nathan's review

16:58 Bee's review

21:10 Sam's review

49:44 Save or PURGE!!

52:36 Top Five Disaster Films Countdown

01:21:03 Wrapping Up and notes on upcoming episodes

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Mentioned in this episode:

100th Episode Spectacular Promo

Transcript
Opening:

In the dying embers of human existence, as the asteroid, a

Opening:

behemoth the size of Texas, hurtles relentlessly toward Earth, the

Opening:

world braces for an apocalyptic end.

Opening:

Deep beneath the bunker, a refuge plunges into the bowels of the Earth.

Opening:

Here the chosen gather, their purpose clear, to preserve the

Opening:

very soul of our civilization.

Opening:

The 35 and 70 millimeter prints that encapsulate the magic, the emotion,

Opening:

and the dreams of generations past.

Opening:

These masterpieces, each frame a testament to the human spirit, are

Opening:

carefully cataloged and cradled in the cavernous confines of the bunker.

Opening:

Perhaps there was room for more.

Opening:

For friends and family yearning for salvation, but sacrifices must be made.

Opening:

The movie nerds stand united, the keepers of a flame, promising a future where the

Opening:

art of storytelling endures, transcending the boundaries of time and space.

Opening:

God help us all.

Nathan:

Welcome to Back to the Framerate, part of the Westin Media Podcast Network.

Nathan:

Join us as we watch and discuss films on VOD and streaming platforms, deliberating

Nathan:

on whether Each one is worthy of salvation or destined for destruction

Nathan:

in the face of the asteroid apocalypse.

Nathan:

You can find more episodes of this podcast on back to the framerate.

Nathan:

com where you can subscribe and share our show and find our us on

Nathan:

our socials at back to the framerate.

Nathan:

I am Nathan Shurer and accompanying me.

Nathan:

Are my extraordinary movie mavens, Brianna Butterworth and Sam Cole.

Nathan:

Welcome to the show.

Nathan:

I'm doing well.

Nathan:

We just saw each other, Sam.

Nathan:

You were in my studio.

Nathan:

That's true.

Nathan:

It seems like.

Sam:

That is very true.

Sam:

Moments ago in the, in the long path of time, it was, was but a moment.

Nathan:

We we, so we are here.

Nathan:

I don't have a question this week because we are on our, I would

Nathan:

call it like our summer schedule.

Nathan:

I, I had to turn this episode around really fast because two days ago we,

Nathan:

we recorded our, our Twister episode.

Nathan:

Later that night, we went out and saw this movie that we're

Nathan:

talking about today, Twisters.

Nathan:

So this is quite an exhausting schedule.

Nathan:

So it's worth it.

Nathan:

I hope everyone out there really appreciates what we do for them.

Nathan:

You know, we are laying it out on the line here for you, the

Nathan:

people, the movie fanatics that

Bee:

it's a hard life to go see movies.

Bee:

It is, you know, you

Sam:

could you could refer to it as a whirlwind schedule.

Nathan:

I'm sorry, everyone,

Nathan:

but yeah, so we watched twisters this past weekend in IMAX.

Nathan:

We could like feel those tornadoes like in our laps,

Nathan:

but I'm excited to talk about this movie with you before we do.

Nathan:

I have a plot synopsis.

Nathan:

A trailer for this movie, if I can find it here.

Nathan:

Here's why.

Nathan:

Plot Synopi

Nathan:

haunted by the devastating encounter with a tornado.

Nathan:

Kate Cooper gets lured back to the open planes by her friend Javi to test

Nathan:

a groundbreaking new tracking system.

Nathan:

She soon crosses paths with Tyler Owens, a charming but reckless

Nathan:

social media superstar who thrives on posting his storm chasing adventures.

Nathan:

As storm season intensifies, Kate, Tyler, and their competing teams find themselves

Nathan:

in a fight for their lives as multiple systems converge over central Oklahoma.

Bee:

Dun dun dun!

Nathan:

And here is a little bit of the trailer for Twisters.

Nathan:

Guys, whatever's in there, it's big and it's moving fast.

Nathan:

Drive!

Trailer:

Go!

Trailer:

Guys, we gotta get out of here!

Trailer:

Twisters!

Trailer:

It's Tyler Owens.

Trailer:

Calls himself the

Nathan:

Tornado Wrangler.

Trailer:

If you feel it, TRACE IT!

Trailer:

Trace that!

Trailer:

I said, if you feel it, TRACE IT!

Trailer:

Oh, she's perfect!

Trailer:

She's gorgeous!

Sam:

You thought you could destroy a tornado.

Trailer:

We never had a chance.

Sam:

You want one?

Sam:

You don't face your fears,

Nathan:

you ride em.

Nathan:

You ride em.

Bee:

Amazing.

Nathan:

So, there you have it.

Nathan:

We are gonna get a little bit of the movie facts.

Nathan:

Perhaps.

Nathan:

Sam, do you have some movie facts for us?

Sam:

Indeed, I do.

Nathan:

I know we did not have a lot of time to put, nobody had time to prep for

Nathan:

this episode because we just, we just, it feels like we just got out of the theater.

Sam:

We did just recently get out of the theater, but I do

Sam:

have some movie facts here.

Trailer:

Yeah.

Sam:

Twisters is a 2024 American disaster film directed by Lee Isaac Chung.

Sam:

From a screenplay by Mark L.

Sam:

Smith based on a story by Joseph Kaczynski, serving as a

Sam:

standalone sequel to Twister.

Sam:

The 1996 film, sorry the film, it's hilarious because it's a sequel.

Sam:

The film stars Daisy Edgar Jones, Glenn Powell, Anthony Ramos, Brendan

Sam:

Pereira, Maura Tierney and Sasha Lane.

Sam:

And this was directed by Lee Isaac Chung, who I believe is from Arkansas.

Sam:

So is no stranger to the type of landscape present in the film screenplay by Mark L.

Sam:

Smith.

Sam:

It's cinematography was actually by Dan Mendel, who was the he's a veteran in the

Nathan:

industry.

Nathan:

Yeah.

Sam:

Yeah.

Sam:

Right.

Sam:

Right.

Sam:

Comes to mind immediately.

Sam:

J.

Sam:

J.

Sam:

Abrams, both the force awakens and the rise of Skywalker.

Sam:

Did a lot of Tony Scott

Nathan:

films.

Nathan:

Yes.

Nathan:

Yeah.

Nathan:

I'm

Sam:

sorry.

Sam:

Go ahead.

Sam:

No.

Sam:

And so it it came out cinema world, Lester square, July 8th, 2024, and July 19th,

Sam:

2024 in the United States and had a very successful above industry expectations,

Sam:

opening weekend, domestic 80 million.

Sam:

But Budget was 155 to 200 million and box office so far at present is 124 million

Sam:

and that's worldwide in its first weekend.

Sam:

So it is doing well.

Sam:

I know this was shot in Oklahoma, I believe introducing a new

Sam:

generation of storm chasers.

Sam:

It is not really connected to the first movie in characters.

Sam:

It's just its own like standalone film in the same twisters universe 30 years later.

Sam:

But yeah, if anything to add to that or thoughts or,

Nathan:

Not really.

Nathan:

I mean, I just was looking at the overall cast here.

Nathan:

We talked about you know, Lee, Lee, Isaac Chung, you know, it

Nathan:

seems like an interesting choice.

Nathan:

I know he did the, a movie that kind of put them on the map on in 2020 Minari.

Nathan:

I have not seen it, but after this, I kind of want to see it really soon.

Nathan:

As in, I

Sam:

haven't seen it.

Sam:

I would like to see it.

Sam:

Haven't seen it.

Sam:

Yeah.

Sam:

It got,

Bee:

this is the kind of movie.

Bee:

Yeah, it got great reviews.

Bee:

But Twisters, I think is the kind of movie that can like set up your career.

Bee:

So it feels like a weird move, but I also think this might be the kind of movie that

Bee:

just now he makes movies like Twisters.

Bee:

Now he makes movie star vehicles.

Sam:

He might.

Sam:

Yeah.

Sam:

You know, what's interesting is the principal photography for budgetary

Sam:

reasons was actually supposed to start outside Atlanta, Georgia, but

Sam:

instead they commenced in May, 2023 in Oklahoma, where the story takes place.

Sam:

Thank.

Sam:

God, they did that because I don't think Atlanta, Georgia would, could

Sam:

do the backdrop of Oklahoma justice.

Sam:

There's space and fields, but it would, there'd be a different feel to it.

Sam:

So that was a good move.

Nathan:

I want to also, you mentioned some of the cast that was in this

Nathan:

Daisy Daisy Edgar Jones, who I really was not familiar with before this.

Nathan:

I, I have heard about where the crawdad sing.

Nathan:

I have heard nothing but horrible things about things about it.

Nathan:

And it's one of those movies that my, that my wife says, can we sit

Nathan:

down and watch this movie some night?

Nathan:

Mike?

Nathan:

No.

Nathan:

So maybe I have, I've not seen it.

Nathan:

So I should not pass judgment.

Sam:

I think that movie to make it better should have like an

Sam:

opening James Bond style song where it's like the James Bond visuals.

Sam:

Like what's the name of it?

Sam:

Where the crow dads sing.

Trailer:

It's just

Sam:

like where the crowd and sing.

Sam:

Then it would be, that would help the film.

Nathan:

And there's some interesting star power in, in character.

Nathan:

I mean, of course, Glenn Powell, who, you know, is automatic a list

Nathan:

right now, but, you know, of course.

Nathan:

More tyranny who, you know, we just saw her.

Nathan:

I totally forgot.

Nathan:

We just saw her in insomnia a couple months ago.

Nathan:

She was in that.

Nathan:

And of course in the iron claw saw a couple months ago as well.

Nathan:

Had a long career on ER for a while in news radio, but the, the cast that's on

Nathan:

in these tornado crews is fascinating.

Nathan:

Of course, Anthony Ramos, famous for Hamilton in the Heights dumb money.

Nathan:

No, we got some also great, you know, we had, you know, what's in this, the new

Nathan:

Superman, I didn't even recognize him.

Nathan:

I was going through the cast afterwards.

Nathan:

You got David Coren sweat playing Scott, who was hobby's

Nathan:

business partner, unrecognizable.

Nathan:

And, but you just look at that jawline and you know why he's cast a Superman.

Nathan:

So it's, it's, it is really interesting casting.

Nathan:

She'll

Bee:

lean too.

Bee:

She's great.

Bee:

It was great to see her and all her drone action.

Nathan:

You've got was it a Tundi, Adam Impey, who is the lead singer of

Nathan:

TV on the radio in this as well, which is just fascinating casting and Katie

Nathan:

O'Brien, who is in my still my favorite movie of the year, Love, Lies, Bleeding,

Nathan:

she plays Danny, who's the mechanic on Tyler's crew and one other casting

Nathan:

note, one of Katie's original crew members is Kiernan Shipka, who I can't

Nathan:

wait for her career to really explode.

Nathan:

She's all grown up.

Nathan:

She is Sally Draper from Mad Men.

Nathan:

And she was in a movie.

Nathan:

I really enjoyed.

Nathan:

I think at the end of last year, I it was, it was a horror time travel movie.

Nathan:

I'm blanking on it right now, but if you look up totally

Bee:

killer, totally killer.

Nathan:

Yes.

Nathan:

I really liked her and totally killer.

Nathan:

So I'm going to see

Bee:

long legs this week.

Bee:

She's in long legs.

Bee:

So for that, yeah.

Nathan:

So great cast all around, right up and down the whole line

Nathan:

of card for, for this movie, but yeah, that's what I wanted to say.

Bee:

Awesome.

Nathan:

Yeah.

Nathan:

I don't have any, really any other Notes or trivia from this.

Nathan:

It's too fresh to me.

Nathan:

I haven't really had time to do that kind of deep dive into this.

Nathan:

I watched a little bit of the behind the scenes making of this, but nothing

Nathan:

too deep, but I guess we can kind of get into our thoughts on this.

Sam:

Yeah.

Sam:

Are we ready

Nathan:

for

Sam:

that?

Sam:

Yeah.

Sam:

Twist one quick thing.

Sam:

Twisters is actually shot on 35 millimeter film, which is pretty cool.

Sam:

Nice.

Sam:

After receiving support from Spielberg and Mendel with the Panavision XL

Sam:

cameras and handheld, RE 435S and 235S.

Sam:

Interesting.

Bee:

Great.

Bee:

I don't know that it looks like it.

Sam:

I don't know.

Sam:

I couldn't tell if it looks like it or if that's the resolution

Sam:

at the IMAX that we were at.

Sam:

I was mentioning in the earlier words, the screen is like, maybe though.

Sam:

I don't know.

Nathan:

All right.

Nathan:

Well did I say I, I am going first already.

Nathan:

All

Bee:

right.

Nathan:

All right.

Nathan:

Here we go.

Nathan:

So,

Nathan:

so last week I sat in this chair to the people that listened to this,

Nathan:

at least it was only a few days ago for us, but last week I sat in this

Nathan:

chair and I listed off several of my issues with the 1996 film Twister.

Nathan:

By the way, a film that I enjoy but don't love, and I talked about one,

Nathan:

one, you know, uncharismatic leading male in that movie, and two, too

Nathan:

many side background characters.

Nathan:

Three, paper thin character development, especially with the Paxton character

Nathan:

and the antagonist Jonas Miller.

Nathan:

And four, I didn't feel like the imminent danger with the tornadoes, it was

Nathan:

inconsistent and also very unrealistic.

Nathan:

And I'm here to say that Twisters fixes every one of those problems for me.

Nathan:

This is one of the best action films for me that I've seen in a long time because,

Nathan:

you know, it hits so many quadrants.

Nathan:

Number one, you like hot guys, check.

Nathan:

You like hot women?

Nathan:

Check.

Nathan:

You like action?

Nathan:

Check.

Nathan:

You like romance?

Nathan:

Check it reaches both YouTube audience in the country music, music audience.

Nathan:

Check you like sharp, really reaches the country music on you.

Nathan:

You like sharp, funny dialogues, you know, by wildly outrageous character

Nathan:

actors, check plus they brought in a more, a more diverse cast that didn't

Nathan:

seem forced setting and they set it in America's heartland, including

Nathan:

the lead singer of alternative rock band TV and the radio check.

Nathan:

Also.

Nathan:

Where Twister, you know, I thought was both a dark and dour film and look and

Nathan:

in tone, twisters is bright and upbeat, and even with the harrowing deaths.

Nathan:

In the beginning, spoiler, you know, we should mention

Nathan:

that we are a spoiler podcast.

Nathan:

This film is fun with a kinetic energy throughout.

Nathan:

It is so perfectly assembled and I'm certain it was produced

Nathan:

by AI just analyzing algorithms for the entire country.

Nathan:

Yes.

Nathan:

I loved this movie.

Nathan:

And not only lived up to the hype, it exceeded it.

Nathan:

I think Glenn Powell is now a full fledged A lister.

Nathan:

He nailed this role in this movie.

Nathan:

The chemistry of the three leads I think is great.

Nathan:

I was unfamiliar with Daisy Edgar Jones before this, but

Nathan:

I thought she did a great job.

Nathan:

Anthony Ramos as well in this.

Nathan:

The three leads are all carrying this buried down trauma that I thought

Nathan:

was portrayed very well as well.

Nathan:

I like that the film uses our knowledge of the previous films, but in our expectation

Nathan:

of it, but it uses it against us.

Nathan:

You've got these rival storm chasers, the corporate funded group, and the

Nathan:

wild hell raising hippies, which is very much like the first film.

Nathan:

So the iconography is similar in this film and we begin to assign expectations

Nathan:

to the characters like this is going to be the Bill Paxton person, this

Nathan:

is going to be the Helen Hunt person.

Nathan:

This is going to be the Philip Seymour Hoffman person.

Nathan:

And so on.

Nathan:

These are the good guys.

Nathan:

These are the obnoxious douchey ones, but then the film does something completely

Nathan:

different and turns everything on its head halfway, which I did not expect.

Nathan:

I also went in with some concerns because the original Twister, you

Nathan:

know, story beats I, I was worried it was going to start duplicating that.

Nathan:

And this may would try to be like a direct sequel where Helen Hunn and Bill

Nathan:

Paxton's kids, we're, we're there, we're going to follow them in the Twister

Nathan:

was gonna like try to seek revenge.

Nathan:

We're gonna be in like a Jaws, the revenge territory.

Nathan:

Maybe the Twister was gonna follow Kate up to New York and

Nathan:

try to chase her down there.

Nathan:

Something really stupid.

Nathan:

I'm glad I did not do that.

Nathan:

I don't know, but even though You know, I, I did have some problems with the last

Nathan:

15 minutes of this movie and it, it didn't fully stick the landing at the very end.

Nathan:

It gets a little ridiculous, but it did not hurt enough.

Nathan:

Were this, were enough for me to, to, to not love this film, but it didn't,

Nathan:

but anyways, that that's all I have to say, but I think this is a perfect.

Nathan:

Summer blockbuster.

Nathan:

This is exactly what I wanted this summer.

Nathan:

I, there's, that's all I have to say.

Nathan:

So this is a, I would give this a 4.

Nathan:

5.

Bee:

Wow.

Nathan:

That's my rating.

Nathan:

So, there you go.

Nathan:

I, I've gushed enough.

Bee:

That's amazing.

Bee:

Yeah.

Bee:

I gotta follow that, huh?

Bee:

Mm hmm.

Bee:

Okay.

Bee:

I really liked this movie.

Bee:

I don't think I loved it as much as you love it, but I had a great time.

Bee:

As you all know, I have been eagerly anticipating this movie.

Bee:

The trailer got me hype and.

Bee:

I'm a recent convert to the original Twister film.

Bee:

I hadn't seen it until just a few months ago.

Bee:

I watched it.

Bee:

I fell in love with it.

Bee:

I had zero expectations of the movie.

Bee:

And it came, comes out as like, one of my top movies.

Bee:

It's a four and a half for me.

Bee:

Huge fan.

Bee:

I think it's magic and it, it hits all the right beats.

Bee:

Twisters.

Bee:

2024 is a very competent movie.

Bee:

You are right.

Bee:

It's the perfect summer blockbuster.

Bee:

It doesn't do anything wrong.

Bee:

I also don't think it takes any chances.

Bee:

It has some interesting subversions of our expectations, but I think they

Bee:

almost do that so that they don't get criticized with being a copy

Bee:

and paste of the original 90s film.

Bee:

Because otherwise it's, it's very similar.

Bee:

The original twister.

Bee:

Felt new.

Bee:

It felt like they were trying different things with the love triangle with the

Bee:

practical effects, which of course, you know, I sort of gushed over the

Bee:

practical effects in our last episode.

Bee:

I know there's also an ass load of CGI in these movies, but they're

Bee:

blended a little more beautifully for me in the last film and our

Bee:

CGI has come a long way since then.

Bee:

And these twisters look very good.

Bee:

But I just think in its It's aimed to be so perfect it, it

Bee:

really doesn't take any leaps.

Bee:

And I found the whole thing falling a little bit flat for me.

Bee:

There are two things that I'm pretty bored with in the movies at this point.

Bee:

One are gigantic CGI town crushing set pieces.

Bee:

In the original Twister, everyone that falls victim to a tornado, we

Bee:

know we have an attachment to them.

Bee:

We have seen how many cities wiped out in the last 10 years and rebuilt and wiped

Bee:

out again and rebuilt and wiped out again.

Bee:

The final set piece just really didn't do it for me here.

Bee:

And then the other issue I have with this movie and the thing that I'm

Bee:

just bored with in movies in general, we see it a lot in the horror genre

Bee:

right now, this is coming up a lot.

Bee:

Our internal trauma as the antagonist.

Bee:

This is the thing that our characters, they always have

Bee:

to fight their own trauma.

Bee:

And that is the catalyst for any plot direction or movement in the story.

Bee:

And that does just suck out some joy you know, and, and some passion for it.

Bee:

And granted that.

Bee:

Definitely exists in the original Twister.

Bee:

You know, Joe's family was literally ripped apart by a tornado, but it just

Bee:

felt like the motivations were a little bit different or addressed a little bit

Bee:

earlier on and, and definitely didn't play as much of a role for as many of

Bee:

the characters in Twister as it does now.

Bee:

So.

Bee:

It fell a little flat.

Bee:

I thought it was really enjoyable.

Bee:

It is a perfect popcorn movie.

Bee:

I can sit there, have a great time.

Bee:

Glenn Powell looks amazing on screen.

Bee:

Daisy Edgar Jones, they had incredible chemistry.

Bee:

It was way more diverse.

Bee:

The casting I thought was, even though there's great casting in

Bee:

Twister, I did think this was better.

Bee:

Better, more robust, more well rounded and the characters really

Bee:

felt like they had a purpose.

Bee:

They didn't just feel like the actors who happened to give them

Bee:

a little bit more dimension.

Bee:

It felt like that was intentional and fleshed out in the

Bee:

script, which I really liked.

Bee:

It was funny.

Bee:

It could be really funny.

Bee:

It was a little too patriotic for me, but it did take place in Oklahoma, so

Bee:

it's hard to, to knock it down for that.

Bee:

You know it wasn't steak and eggs.

Bee:

It was a rodeo.

Bee:

Okay.

Bee:

Okay.

Bee:

But yeah, I liked it.

Bee:

I don't want to sound too cool on it.

Bee:

I definitely had a really enjoyable time.

Bee:

It just felt like another action blockbuster for me.

Bee:

It's okay.

Bee:

I give it like a three and a half.

Nathan:

All right.

Nathan:

Good take.

Bee:

Is it?

Bee:

I don't know.

Sam:

So, I think you guys both have really good points and I, it's, it's interesting

Sam:

cause, cause one aspect that I agree with Nathan is, is I do feel that surprisingly

Sam:

the characters and their, you know, dialogue and the chemistry Between the two

Sam:

of them was really, really, really good.

Sam:

I thought they, I thought the human element was strong.

Sam:

And the human element and the characters and their interaction was oddly enough,

Sam:

interesting left the best part of this film, whereas I felt the action and the

Sam:

twisters themselves and the set pieces, I definitely agree with B that it was more

Sam:

sort of standard CGI fully competent, but I did not have a sense of with, I

Sam:

will say there is an, is, and it's an opening scene where a massive twister

Sam:

is hidden by the fog and the wind.

Sam:

And I thought that was suspenseful and well done in general, I feel sort of like

Sam:

the set pieces in this film are solid, but they're more Sort of perfunctory.

Sam:

I see the thing for me is I love the 1996 Twister and I actually

Sam:

really like Bill Paxton in it.

Sam:

I think he's like perfect for that movie.

Sam:

I just, he just fits like I'm a Bill Paxton fan.

Sam:

So I'll say that Yeah, so Lee Isaac Chung does a great job with

Sam:

characters and their chemistry.

Sam:

The human side of this film is surprisingly developed.

Sam:

When it comes to the action, he is more than competent, yet it is perfunctory and

Sam:

random, set pieces just arriving here and there, scattershot, seemingly on a whim.

Sam:

The first film, the original Twister, Twister, excuse me, opens with this

Sam:

terrific menacing music by Mark Mancista and the Twister logo tumbles across

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the dark screen as the individual letters are blown about in a dark wind.

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And this is the opening.

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Opening title of the first film.

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The new film opens more like a TV movie where the title twisters just

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appears at an inopportune moment, appearing over a simple shot of our

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main character standing in a field.

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It has this moments and is perhaps worth a second viewing building up suspense

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and milking moments for me did not.

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quite feel like this director's forte.

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I feel like he had a really good handle on the human elements, but I

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feel like the scale, I did not feel like I have been to Oklahoma and it

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is a huge place with vast open skies.

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And you feel like you're exposed to the sky.

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And I feel like that sense of the landscape in the first film, in Yon De

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Bah, there's these wide shots of like we push in on Helen Hunt and build.

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Paxton arguing in a truck and a plane goes by and it's this

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massive wide coordinated shot.

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There's this spectacular photography on the first film and this like, and the

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cinematography in the first movie I love.

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Whereas the second movie does a good job and the special effects look realistic.

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But I, it's funny in this day and age, we now have access to all these like 1996

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original are just somehow more Awesome.

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I have a personal bias because that, that movie, when it came out, you bring

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a good point B about the special effects.

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We'd never seen anything like that in 1996.

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Like I remember just being blown away and this movie is good, but

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it comes out in a time where.

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We've seen massive destruction on an epic scale over and over and over again.

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And what was missing in this film, in the first film, the tornadoes were like

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characters like the shark and jaws.

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It was like hinted that there's this godly menacing presence in the sky.

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And in this movie, they were just weather, which they are, but a little

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bit of that epicness I felt was missing, but overall I enjoyed it.

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I thought Glenn Powell was excellent.

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I, I mean, I liked everyone in the film.

Sam:

And I would, I mean, I would give it a solid, like it's, it's not bad.

Sam:

It's not great.

Sam:

I put it right in the middle at three stars.

Nathan:

This is interesting because I was the, the biggest critic of the first

Nathan:

film and the most skeptical heading in and I ended up loving it the most.

Nathan:

It sounds like I

Sam:

love that first film.

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I have a real thing.

Sam:

I just, that experience was amazing.

Sam:

I hear you though.

Sam:

Yeah.

Bee:

I think this sort of comes down to how much of a.

Bee:

At least for me, like, I'm such a sucker for that Spielberg ian kind of, like,

Sam:

Yes!

Bee:

Sense of awe, sense of wonder, that, like, like, very childlike

Bee:

perspective and, and hopeful storytelling.

Bee:

It's a little soft.

Bee:

It's, it's very, like, fairy tale esque.

Bee:

Yes,

Sam:

there's, like, wonder and terror and that, you know, like,

Sam:

Aunt Meg is very Spielberg ian.

Sam:

Yeah.

Sam:

It's got that, it has that energy.

Sam:

This movie was like, I was, I liked the diverse cast and the new characters.

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Like I liked the characters.

Sam:

I just felt that the, the scale of the movie around them felt a little like

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the mood, it felt a little shrunken.

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Whereas I wanted to feel that grandiose feeling.

Nathan:

I mean, I agree that some of that magic.

Nathan:

That like touch Spielberg Magic is not, it's not in this, this is a much more like

Nathan:

scientific, like I said, I really feel like AI algorithms designed this movie to

Nathan:

please the most amount of people possible.

Nathan:

It has that I hear that.

Nathan:

Yeah.

Nathan:

That's a good deal.

Nathan:

Totally.

Nathan:

I hear that.

Nathan:

Yeah.

Nathan:

, yeah, it worked for me, which is not.

Nathan:

Typical.

Nathan:

I, I don't usually.

Nathan:

And I just feel

Sam:

like even though, even though I, I totally agree, B, like I found the last

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set piece very underwhelming except for some like visual, like cool moments.

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But there were some in the middle, like there's when they're going through a

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field and it's It's the what do you call it, the wind turbines and one of

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them like flicks off and like hits you.

Sam:

Yes.

Sam:

That was kind of cool.

Sam:

I like that stuff.

Sam:

Yeah.

Bee:

I liked seeing inside the tornado.

Bee:

That was somewhere we haven't been.

Bee:

I thought that was an interesting experience.

Bee:

It

Sam:

is not without good intentions.

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Action.

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Like it's there.

Sam:

It's good.

Sam:

It's fine.

Sam:

I'm just, I was not just

Bee:

seen it before.

Sam:

Yeah, exactly.

Sam:

I just wasn't like wowed by it.

Sam:

And I did love the cast.

Sam:

And if, and if, if that script and that cast was married with like just

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the, a more wowier scope for the action or the it's, it's what it is.

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It's like, what's funny is the scale of twisters is huge.

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I mean, like the tornado, like catches fire in like an oil refinery.

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Like it's, it's insane.

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You know what I mean?

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But, but it's the way I feel like to me, what it was is a lot of set pieces

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in this movie that throughout them, as they're occurring, they're great, but

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I didn't feel the buildup of suspense.

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Like in the first film, there's a scene where like Philip Seymour Hoffman

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walks outside and then it cuts to some character dialogue in a bar and it cuts

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back to Philip Seymour Hoffman and the sky is green And darn, he's like going

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green and Bill Paxson is like greenage.

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And it's like, you feel like, Oh, a tornado is coming.

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Whereas this film, the tornadoes were spectacular.

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The effects weren't bad, but, but the scenes would arrive more

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perfunctory kind of like at the rodeo.

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It's like, there's a simple blowing of wind and it just

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starts, but I, I didn't feel like it could have been more suspense.

Sam:

I feel like the suspense could have been more milked in this film.

Bee:

I think, I think two, two things that sort of get to what you're talking

Bee:

about, where my frustrations of the movie are one, any sort of like Spielberg

Bee:

magic or magical realism, that feeling that happens in a movie of his, they

Bee:

just put into Daisy Edgar Jones and made her like a Manic Pixie nightmare.

Bee:

So I liked her character, but this whole like dandelion picking, I can

Bee:

tell when tornadoes are like, all right.

Bee:

And then the other thing is, I do think they sacrificed.

Bee:

I don't know if you can see it, but there was a lot of back and forth between

Bee:

how the main characters felt about tornadoes, like were they traumatized?

Bee:

Were they just scared regular?

Bee:

Scared because it's a scary thing.

Bee:

Were they excited about it?

Bee:

I felt like within one attack that would shift a lot.

Bee:

And then there was a lot of back and forth, like it would start very

Bee:

quickly and then they'd be safe, but then that same tornado, we'd be in the

Bee:

same thing and it would scale up again and then they would be saved again.

Bee:

And so it just felt like they sort of dragged on in this weird way.

Bee:

So I just thought the movie had some pacing issues.

Bee:

I

Sam:

agree with what you're saying.

Sam:

Like, I have a feeling that if I see it a second time, now that I know

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what it is, I'll probably like it.

Sam:

Enjoy it more.

Sam:

Like it's, it's decent, but you have a good point where I've only seen

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this once and I've seen twister, like 4, 000 times in the theater, like on

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cable over the past 20 years, like that movie is always on TV, so I've

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seen it like a billion times, but you talk about the pacing, how this movie,

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like, I did feel like the pacing would just kind of stop and be sort of slow.

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Whereas twister, I always felt the move, the whole movie is like on the move.

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It's like, they're on the road.

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The plot as cheesy as it is, like the screwball romantic comedy, it

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all unfolds while they're driving.

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Like they're constantly on the move.

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Like Twister has forward motion to it.

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Whereas this is like, all right, we're going to have an action scene and now

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we're going to do this and we're going to do that and whatever, you know,

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like it's, it's a more leisurely pace.

Sam:

It felt like, I think the

Nathan:

action scenes were.

Nathan:

in this.

Nathan:

I think I liked the, how the, the, the tornadoes and the, the

Nathan:

people are interacting with us.

Nathan:

That opening scene, I was, I was opening, it was riveting.

Nathan:

I mean,

Nathan:

they're going into that tornado blind and that's how I would expect.

Nathan:

It would be like going into a tornado where they can't see where they're going.

Nathan:

Things are hitting their car, causing real damage.

Nathan:

And there are stakes to this.

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There's consequences to their hubris.

Nathan:

And I love how this goes out.

Nathan:

It fixes the problem where Everybody comes out alive,

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unscathed, not a scratch on them.

Nathan:

And, and still, I think, I think the Daisy got out of this relatively unscathed with

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just a scratch on her leg in the end.

Nathan:

But still, there are major consequences to, to what happened.

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She loses three members of her crew.

Nathan:

And I love how this opens up.

Nathan:

I wish the whole movie, I want a version of Twister where, where more people.

Nathan:

Our diet.

Nathan:

And I do like the fact that there are civilian casualties in this.

Nathan:

We see it.

Nathan:

We see, even though we don't know these people, we are seeing, you

Nathan:

know, like the hotel manager or some of these other patrons come through.

Nathan:

I love the fact that this movie takes the liberty of showing what

Nathan:

happens to these stupid people that would drive, get in their car.

Nathan:

Then they could thinking they can outrun the tornado.

Nathan:

No get down flat.

Nathan:

Doesn't mean you're going to survive, but it increases your chances.

Nathan:

And it shows what happens when you don't listen to like the smarter people.

Nathan:

The experts.

Nathan:

Yeah.

Bee:

The pool scene I thought was really good.

Bee:

Those more intimate scenes I thought were so great.

Bee:

The car, the opening, but that what you're talking about with civilians,

Bee:

that pool scene, if it could have just been that the whole time, I

Bee:

think I would have liked it more.

Bee:

Several

Nathan:

of those scenes, the pool scene, the opening scene I mean,

Sam:

wait, what was the pool scene again?

Sam:

I, I'm missing

Bee:

the hotel where they go down into the the empty pool.

Bee:

The person that is

Nathan:

like complaining in the hotel is bill Paxton's son.

Bee:

No way.

Bee:

That's awesome.

Bee:

Oh, that's really fun.

Nathan:

Yes,

Nathan:

By the way, so we're going to the pool.

Nathan:

What pool has all these exposed pipes?

Nathan:

I was trying to think, I don't know, a single in ground pool that's got

Nathan:

all these pipes just lying around.

Nathan:

Like, yeah, God, that would be dangerous, wouldn't it?

Sam:

I will say that that opening set piece really was great, Nathan.

Sam:

I agree with that.

Sam:

I wish I like, like you were just saying, I wish the rest of the movie

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maintained that, like, level of, of.

Sam:

Intensity kind of because that that was really, really like the the

Sam:

perspective of that and then as they like get the data, they find out that

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like the column is like 70, 000 feet.

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And once you hear the data feedback, you just realize even though you can't see it.

Nathan:

There's like a monster behind us.

Nathan:

How is that even possible?

Nathan:

I was trying to This movie is big

Bee:

though.

Bee:

So, alright, few things to talk about that are outside of our review.

Bee:

Yeah.

Bee:

Can

Nathan:

we

Bee:

talk about the trucks in this movie?

Bee:

Huh.

Nathan:

Yeah.

Nathan:

What do we think?

Nathan:

By the way, I, I, I intense, like crazy, like, yeah, I, I own a, a Jeep Wrangler

Nathan:

and all I wanna do is just go offroading.

Nathan:

I don't, I don't listen to country music.

Nathan:

I don't like country music, but damn, I just wanna put, put, take all the

Nathan:

windows out, take the doors off, and I'm gonna put it, I have a GoPro.

Nathan:

I kind of wanna put it in my window and just like.

Nathan:

Put on some sunglasses, just go off roading and start a YouTube channel.

Nathan:

Like, I don't know what I'm chasing yet.

Nathan:

I don't know what I'm chasing yet, but I'm going to stop and get

Nathan:

a T bone and drink Coors Light.

Bee:

You'd call us five weeks later in a Kenny Chesney t shirt.

Bee:

I might.

Bee:

Way to go.

Nathan:

Back to the framerate.

Nathan:

That would be a good YouTube channel.

Nathan:

I want to see that.

Nathan:

Just driving across the country at, to, just scoping out drive

Nathan:

in theaters and hope, hope.

Nathan:

So, Maybe a tornado will come through.

Bee:

You both know that I live in a car culture household.

Bee:

I also have a Jeep Wrangler, but mine's from the nineties.

Bee:

Much like the better Twister movie.

Sam:

So I'm just putting like hillbilly music as you're talking about trucks.

Sam:

It's working.

Bee:

It's working.

Sam:

Yeehaw.

Sam:

Okay.

Sam:

Yeehaw, sorry.

Bee:

But One thing this movie gets really right is what I affectionately

Bee:

refer to as redneck tech.

Bee:

You know, where they just put the biggest, loudest, fastest things on

Bee:

the lightest frame they can and just see how fast and how far they can go.

Bee:

I mean, rockets off the sides of this truck.

Bee:

What?

Bee:

The bolts that will just screw into the ground?

Bee:

But that was really fun!

Bee:

Like, that was really fun.

Bee:

That was awesome,

Sam:

because that had energy and innovation, like, when he And character!

Sam:

And character.

Sam:

When their team shows up, they add, like, a sugar jolt to the movie.

Sam:

Yes.

Sam:

I did like how they referenced the original Twister when he, like, pulls

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out in front of them in traffic.

Sam:

Because they did that in the previous movie.

Sam:

And that had The good chaos energy to it.

Sam:

One point about

Nathan:

those drills.

Nathan:

He's auguring into the earth when a tornado passes over.

Nathan:

It is the dumbest thing ever.

Nathan:

Because you're driving a tornado.

Nathan:

Hopefully you don't go into some loose soil because you're dead.

Nathan:

How does he know?

Nathan:

He's Stopping right there, like drilling in.

Nathan:

What if he hits like a giant rock?

Nathan:

You're not going to survive, you know?

Bee:

How does he even get close enough to get to the tornado

Bee:

without being sucked up?

Nathan:

Yeah.

Nathan:

I mean, it's, it's honestly, it's, it's one of the, it's, it's cool, but it's

Nathan:

also one of the dumbest things ever.

Nathan:

One

Bee:

of the dumbest things.

Bee:

And it really serves for the final 10 minutes of the film.

Sam:

Yeah, I will say that him like putting fire, fireworks into the

Sam:

tornado was incredibly crowd pleasing.

Sam:

Like that was truly hilarious.

Sam:

That was awesome.

Sam:

That was like a yee haw moment.

Sam:

Could you

Bee:

guys hear the, the woman next to me who just kept going, who

Bee:

was so anxious through that home?

Bee:

She was feeling tension in that movie.

Bee:

So, so clearly it did get across to some folks, but she was, Oh my God.

Bee:

Oh my God.

Nathan:

There's something else I want to mention because I don't know, I'm not a,

Nathan:

I'm not a woman, but there is, I think, some offensive use of mansplaining in

Nathan:

this movie that I thought was hysterical.

Nathan:

Oh,

Bee:

you mean when he goes in and finds her homework and is like, you

Bee:

could have just fixed it like this.

Bee:

Well, the first one is when

Nathan:

the Anthony Ramos character and, and Kate are in the cafe and

Nathan:

he's explaining how our tornado works.

Nathan:

Number one, like this is our tornado.

Nathan:

He takes a glass of water.

Nathan:

This is the tornado.

Nathan:

All right.

Nathan:

I think she knows.

Nathan:

And this is how you triangulate something and he takes the maple syrup or barbecue

Nathan:

packets and she's like, Oh, I get it.

Nathan:

Like it's obviously for the audience, but it was like the most, it was

Nathan:

like the dumbest explanation ever.

Nathan:

I'm telling you, she's admitting pixels.

Bee:

She's like a perfect PhD scientist who has enough trauma to

Bee:

need more people in her life, but she also likes to chase tornadoes.

Bee:

And by the way, she can like cook and grow up on a farm.

Nathan:

There's like three scenes where someone explains to her

Nathan:

how tornadoes work and it's like, Mike, this woman's like a genius.

Nathan:

She knows everything, like a lot about weather and people are

Nathan:

explaining tornadoes to her and like how some basic science works.

Nathan:

You, by the way.

Nathan:

I want to jump ahead.

Nathan:

This movie is kind of has a lot of techno jargon babble in it,

Trailer:

which

Nathan:

I, I, I, I dug it to what, and this, what I really did like though,

Nathan:

is that never did I feel like I was playing catch up with any of it.

Nathan:

It was just the right amount.

Nathan:

To keep, you know, the audience briefed to what's going on, make the character

Nathan:

sound smart, but also the audience's eyes.

Nathan:

Mm-Hmm.

Nathan:

, you know, not glazing over either.

Nathan:

So I thought it was really, really good screenwriting the way that,

Nathan:

that, the way that was performed.

Nathan:

So I, I liked it a lot.

Bee:

Yeah.

Nathan:

Yeah.

Bee:

I'm with you

Bee:

. Sam: So I, yeah, I, I mean I I.

Bee:

And I want to say, and I want to stress too, like, even though I

Bee:

wasn't, like, wowed by a lot of the action, it certainly was not bad.

Bee:

Like, there's nothing bad in this movie.

Bee:

There are just things that I've seen before and, like, done

Bee:

with more, like, spectacle.

Bee:

But, like, I did enjoy it.

Bee:

So inoffensive, inoffensive.

Nathan:

So I think we've got to talk about the, the finale, the end scene,

Nathan:

because as much as I did love this movie, I think we all are in agreement

Nathan:

that this final sequence, the final tornado, which is, it's like a 20

Nathan:

minute climax of this movie, it has.

Nathan:

It's not the best part of this film.

Nathan:

It has a very conventional ending, and there's some

Nathan:

really dumb things that happen

Sam:

in

Nathan:

this.

Sam:

It also felt to me like a good, like, middle of the film action set piece.

Sam:

Like, like, even though the scale was big, like, I feel like the final set

Sam:

piece could have just been something crazier, where they're like, they

Sam:

find their car surrounded by like a, like a circuit, like like six F

Sam:

fives close, you know what I mean?

Sam:

Like something, something more.

Sam:

I just, I was not too worried about them not surviving in this.

Sam:

Like I did not, the last set piece, I did not feel the danger as much, although

Sam:

there's some clever visuals, but like that to me felt like standard CGI mayhem.

Nathan:

One thing that the predecessor of this is when You've got Anthony

Nathan:

Ramos and Superman are out driving.

Nathan:

I'm going to call him and he kind of has a change.

Nathan:

All right.

Nathan:

We find out a little more than halfway through this movie that

Nathan:

his, his group is work is they don't have the best intentions.

Nathan:

They are swooping in after these communities have been

Nathan:

devastated by tornadoes.

Nathan:

And they're working with some real estate mogul that's helping him buy this land.

Nathan:

So.

Nathan:

What he does is his partner, I forget his name, but I'll call him Superman.

Nathan:

He says, no, we got to keep, we have to retrieve the data from these radars.

Nathan:

And Anthony Ramos says, no, I'm going to go back and help my friends at the, in the

Nathan:

town because the tornado is heading there.

Nathan:

So he, I think this is funny.

Nathan:

And we talked about this afterwards is that.

Nathan:

All right.

Nathan:

You go set up the thing and he lets him out of the car and he just ditches him.

Nathan:

I think in the path of the tornado in to die.

Nathan:

And I thought that was like hysterical.

Nathan:

I just

Bee:

assumed they had the rest of the crew behind them.

Bee:

I guess it was my assumption.

Nathan:

Does he have?

Nathan:

A way of communicating.

Nathan:

I don't know, but there's a freaking F5 headed their way.

Nathan:

I think it was, who knows if they, if they even survived.

Sam:

But that would have been funny if he had like a horrific death, like at

Sam:

randomly, like, this is such a brief non sequitur bear with me for one second.

Sam:

But I don't know if you remember in Jurassic world, when the assistant who was

Sam:

like babysitting the kids, she is like.

Sam:

Plucked up by, by like a pterodactyl.

Sam:

Then she like falls and is dropped into the ocean.

Sam:

Then she's plucked up again.

Sam:

Then a giant like fish eats her.

Sam:

Like it is a brutal death for no reason.

Sam:

And so tying it back in, it'd be funny if he left him on the side of the road.

Sam:

And then just some like flying piece of debris smashed into him.

Sam:

But that did not happen in the film.

Nathan:

So in the meantime, back in the town Glen Powell and And Kate are trying

Nathan:

to like rescue people into buildings and they send people in the theater.

Nathan:

Glenn Powell gets trapped under some debris and there's a water tower

Nathan:

that's collapsing about to fall on him.

Nathan:

And, and, and it's a Daisy, right?

Nathan:

She's trying to like pry him out.

Nathan:

And out of nowhere, out of nowhere, like, like Anthony Ramos knew exactly

Nathan:

where to go in town to find them.

Nathan:

And like, like, oh, this is, this is so conventional.

Nathan:

This is so tropey.

Nathan:

Like you're there just in time.

Nathan:

I mean, I mean, yes, this is what movies do.

Nathan:

I even think in the

Bee:

movie theater, there was some like, Was it a universal horror

Bee:

movie that was on the screen?

Bee:

Frankenstein.

Bee:

Frankenstein.

Bee:

It was Frankenstein, which

Nathan:

I think is appropriate.

Nathan:

I mean, the, the tornado is, I thought was,

Bee:

I thought that was really fun, that there was this like

Bee:

big monster movie on the screen.

Bee:

So the, I didn't, the tornado is

Nathan:

the monster, so.

Nathan:

Yeah, exactly.

Bee:

So it's like, that's really kind of fun.

Bee:

But I, I just thought it was a super cheesy ending to the point

Bee:

where the tornado winds up perfectly framed in the movie theater.

Bee:

It's, yeah, that

Sam:

was just like, that was overdone symbolism.

Sam:

I was like, yep, I get it.

Sam:

We're watching the movie of the movie.

Sam:

And the tornado is like

Nathan:

coming through and I'm trying to figure out, would this be cool if

Nathan:

I was watching it in 3D or in a 4DX?

Nathan:

Or is this really way too on the nose?

Bee:

Yeah, it was.

Bee:

It wasn't, and then

Nathan:

America will eat it up.

Sam:

And I like, I like the mood here, but I, but for me, I still like the,

Sam:

the shining in the drive through in the first film, the Kubrick, like

Sam:

playing in the background and like Jack Nicholson, like hacking the door as like

Sam:

the screen is ripped up and twister.

Sam:

Like I just, I like imagery more.

Bee:

Totally on point, but not necessarily on the nose.

Sam:

Yeah.

Bee:

I do think.

Bee:

The whole Javi using leverage to rescue Glenn Powell, kind of a thing.

Bee:

I was, I was just like, It's a callback,

Nathan:

it's

Bee:

a callback too, because it

Nathan:

happened.

Bee:

Yeah.

Bee:

Yeah, I know.

Bee:

And I was like, I didn't really, really feel anything.

Bee:

I don't know.

Bee:

It w it didn't sing to me.

Bee:

But much like the original Twister I did really like the scenes at the farm.

Bee:

I like the scenes at Daisy, Edgar Jones's mom's house.

Bee:

I thought those were, yeah, I liked those scenes

Sam:

too.

Sam:

I thought those were good.

Sam:

And I wanna say, yeah, Daisy, Edgar Jones, I was, I thought she was really good.

Sam:

She did great and I was surprised.

Sam:

Not surprised, but like in the trailers, the first trailers for

Sam:

the film, that was very sort of Glen Powell centric and she was in it.

Sam:

But you didn't have a sense of what she would be like?

Sam:

I was surprised by their chemistry, and I thought her performance was like.

Sam:

Excellent.

Sam:

So like character wise, the two of them love, love the characters.

Sam:

Like if they, if they, if, if this does really well and they do, and

Sam:

then the two of them gang like team up for another twister adventure,

Sam:

like I'll be at the theater, you know,

Nathan:

what would the third one be called?

Sam:

Twistersers,

Nathan:

Twisterers.

Nathan:

I think Thristers.

Nathan:

Thristers.

Nathan:

Thristers, yeah.

Nathan:

With a three instead of the T.

Nathan:

Or like a

Sam:

dumb like like with a colon like Twisters Dominion or something.

Bee:

Yeah, I'd like if they went the Fast and Furious route and made no sense.

Bee:

Yeah.

Bee:

With all these, this subsequent naming of films.

Sam:

Twisters in da house.

Trailer:

Mm

Bee:

hmm.

Nathan:

What's really funny is, you know, the, one of the, the, the bigger quotes

Nathan:

from the, the trailer, you know, the, you don't face your fears, you ride them.

Nathan:

The context of that takes out a whole new meaning.

Nathan:

I think it, when you see the movie, that takes place in the

Nathan:

rodeo when they're looking at each other and damn, you see this.

Nathan:

And now I'm thinking like.

Nathan:

This is like an invitation of sex right now is what that really means.

Nathan:

Oh yeah, it's still a horny

Bee:

movie.

Bee:

I like that they kept the horn from the original movie.

Bee:

That did work.

Bee:

I thought that was pretty good.

Bee:

That's,

Nathan:

yeah, that was clearly.

Nathan:

You know, I have

Bee:

to knock this down to a three.

Bee:

I'm so sorry.

Bee:

The more we talk about it, the less I like it.

Bee:

That's okay.

Bee:

Yeah.

Sam:

You just officially joined the, the Sam club.

Sam:

Cause as you know, I will like, I shop there, take off

Sam:

or add stars at Sam's club.

Sam:

Yeah.

Sam:

Hey, I didn't realize that, but now I did.

Sam:

I actually am a member of Sam's club and I can go in and enjoy the discounts.

Sam:

I do get discounts.

Sam:

So check them out and go find your local Sam's club.

Bee:

Yeah, no, it's not a great, fine.

Nathan:

Okay.

Nathan:

I don't know.

Nathan:

I don't have anything else.

Nathan:

Really.

Nathan:

I'm looking at my, I definitely don't have anything else to say about this.

Nathan:

Okay.

Nathan:

Okay.

Nathan:

I, I'm glad I saw this.

Nathan:

I'm glad that we, we I'm glad we saw it together.

Nathan:

Yeah.

Nathan:

I'm glad we got to see this together.

Nathan:

I had a, I had a fun time.

Nathan:

I had a really fun time watching this.

Sam:

Potential title for the third one, Twister's Epitaph.

Sam:

Whoa, heavy, heavy shit going down in this movie.

Nathan:

Oh, last thing I would just mention, I, I do think it

Nathan:

was really smart not to include a strong message of climate change.

Nathan:

In this movie, it's like not even anywhere near this, you know, people going to this

Nathan:

movie, don't care about climate change.

Nathan:

They just want to be entertained.

Nathan:

And I was interested to see if that was going to be a theme

Nathan:

of this, but not a whiff of it.

Nathan:

So I don't know if you guys had a thought on that.

Sam:

I did.

Sam:

I thought, I thought, yeah.

Sam:

I mean, like, There wasn't really a need, like they addressed that.

Sam:

I think I read somewhere an article.

Sam:

They didn't want it to be like a message film.

Sam:

Like they're making a blockbuster.

Sam:

And plus they don't need to talk about climate change.

Sam:

Cause clearly there's a lot of dangerous tornadoes.

Sam:

So like the climate change speaks for itself.

Nathan:

It doesn't need to be in a movie.

Nathan:

It's exactly around.

Nathan:

Yeah.

Nathan:

Decide for yourself, you know, you know, we don't need, we don't

Nathan:

need a movie, especially a, a summer, you know, action movie.

Nathan:

This isn't the day after tomorrow,

Bee:

which I enjoyed.

Bee:

This movie was really pandering to the heartland in a way

Bee:

that would have Not worked.

Nathan:

Yeah.

Bee:

Had they included that messaging?

Nathan:

Yes.

Sam:

All right.

Sam:

It would not work if they included that messaging and it'd be very like

Sam:

condescending if imagine if they had like a climate change explanation in the middle

Sam:

of film, you know, in the first Jurassic.

Sam:

Park where there's that cartoon of how they discover the dinosaurs do that.

Sam:

And they do a climate change and Glenn Powell's like, get this.

Sam:

So the Arctic's clear.

Bee:

Kate learns about it for the first time.

Bee:

Exactly.

Sam:

Exactly.

Sam:

What?

Sam:

Wow.

Bee:

They didn't go over this in PhDs.

Nathan:

All right, let's take a quick break.

Nathan:

Thank you for dialing in to our transmission.

Nathan:

If you agree or disagree with our opinions on Twisters, we

Nathan:

would love to hear from you.

Nathan:

Email us at backtotheframerate at gmail.

Nathan:

com.

Nathan:

You can also find us on our socials on Facebook, Instagram, TikTok, Threads.

Nathan:

And YouTube would also love it.

Nathan:

If you could take just a moment and leave us a solid rating and

Nathan:

review on Apple podcasts, Spotify, or wherever you listen to our show.

Nathan:

You can pause the episode right now and do it.

Nathan:

We'll still be here, right?

Nathan:

Yeah.

Nathan:

But the best way you can help us is by sharing our episodes.

Nathan:

If you love what you're hearing and know others that love what you're hearing.

Nathan:

Love movies.

Nathan:

Let them know about our podcast.

Nathan:

We thank you all in advance.

Nathan:

Okay.

Nathan:

So we are coming back to for a conclusion of our review and our verdict.

Nathan:

And yeah, I'm going to go first.

Nathan:

So, like I said before, I love this movie.

Nathan:

I think this is the the perfect summer.

Nathan:

Blockbuster popcorn movie.

Nathan:

But what's weird is that this is still not a perfect movie,

Nathan:

even though I gave it a 4.

Nathan:

5, I would not say this is like, Amazing.

Nathan:

It's got a lot of flaws, but if you know, we're going to, I forgot to mention

Nathan:

this at the top of the show, we're going to do our top five disaster films.

Nathan:

I don't even know if this would make my top five, even it might be recency

Nathan:

bias, you know, that I, I might, I, I, it's hard to, it's hard to say,

Nathan:

but I think a lot of these other ones, I might not put it in there, but I

Nathan:

had a damn good time with this movie.

Nathan:

So I have, I have a suspicion where this might be going with you two guys.

Nathan:

So I'm going to say, I guess I want to say maybe it goes in.

Nathan:

Can I do that?

Nathan:

No, no,

Sam:

we need her.

Sam:

We need to sit.

Sam:

We don't have a sound effect for maybe the maybe sound effect is like,

Nathan:

yes, I'll put it in there.

Nathan:

I'll put it in.

Nathan:

Cause.

Nathan:

I do want to see it again.

Nathan:

I really do.

Nathan:

Okay.

Bee:

I'll take it right back out.

Bee:

I It was good.

Bee:

It was a good movie.

Bee:

It's fine.

Bee:

We're going to have other stuff to watch.

Bee:

Yeah.

Sam:

Okay.

Sam:

I enjoyed it.

Sam:

I liked it.

Sam:

I solidly enjoyed the movie.

Sam:

But I will take my chances and I will say no to putting it.

Sam:

In the vault.

Sam:

In the hopes of when the nuclear fallout subsides, maybe one day when I can venture

Sam:

forth safely outside again, I'll find a copy and be reunited with the film.

Sam:

So never say never, but I don't need it in the vault with me.

Nathan:

Sam, this is unprecedented.

Sam:

It's, it's, it's, it's an unprecedented summer.

Sam:

Maybe, maybe, maybe you need,

Nathan:

maybe you need this.

Trailer:

If you feel it, raise it!

Bee:

That really is such a vibe.

Bee:

That really is such a vibe, though.

Nathan:

All right, well, I think The decision has been made.

Sam:

I love that sound.

Sam:

I love how damning that sound effect is.

Sam:

It's like, get out of here.

Trailer:

All

Nathan:

right.

Nathan:

Twister's not saved in our vault, but that's okay.

Nathan:

It's okay.

Nathan:

No, I, I understand.

Nathan:

There's, there's, there's better movies.

Sam:

And just because I didn't save it, that doesn't, just because it

Sam:

isn't, just because I didn't save it, doesn't mean that I hate it.

Trailer:

One tiny spark becomes a night of blazing suspense as the world's tallest

Trailer:

building becomes the Towering Inferno.

Trailer:

Steve McQueen, Paul Newman, William Holden, Faye Dunaway, Fred

Trailer:

Astaire, Susan Blakely, Richard Chamberlain, Jennifer Jones, O.

Trailer:

J.

Trailer:

Simpson, Robert Vaughn, and Robert Wagner.

Trailer:

Erwin Allen's production of The Towering Inferno.

Trailer:

See it for Christmas at a theater near you.

Trailer:

Rated PG.

Nathan:

We have something new this week.

Nathan:

We are going to do our top five.

Nathan:

Favorite disaster movies, and this is not just like the 90s.

Nathan:

This could be from the entire history of movies.

Nathan:

We're going to use the term disaster movies loosely.

Nathan:

I specifically said not just natural disasters.

Nathan:

So do with this what you may, you know, this is have fun with this.

Nathan:

This will not be on your tombstone.

Nathan:

All right.

Nathan:

This list.

Nathan:

So.

Nathan:

We did not like figure out who's going to go first on this.

Nathan:

So how should we do this?

Nathan:

Do you want me to go do the same order?

Nathan:

Stay the same order?

Nathan:

Same order?

Nathan:

All right.

Nathan:

Okay.

Nathan:

So, by the way, do we need, what is a disaster movie to you guys?

Nathan:

And any, any rules to this that you think?

Nathan:

That you've only ruled

Sam:

that I had in my head was there has to be significant

Sam:

destruction of some sort in the film.

Bee:

Yeah,

Sam:

it's a good rule.

Bee:

That is a good rule.

Bee:

I kind of interpreted it as natural disaster, but hearing this now, I'm like,

Bee:

Oh yeah, I could definitely open that up because I wanted to go in to a little

Bee:

bit more sci fi or even animal, you know, so we'll see, we'll see what happens.

Bee:

We'll, we'll all learn my top five.

Bee:

All right.

Nathan:

All right.

Nathan:

So I guess we'll go, we're still from five to one, my number five.

Nathan:

I went with Knowing, the 2009 Alex Proyas film starring Nick Cage, Rose Byrne

Nathan:

Nick Cage is a professor who discovers a time capsule from 1959 containing

Nathan:

a mysterious list of numbers and I think he realizes he can predict it.

Nathan:

Dates and death tolls and coordinates of major disasters over the past 50 years,

Nathan:

including some that haven't happened yet.

Nathan:

I know this movie has some, yeah, it's got some decent special effects.

Nathan:

I've always enjoyed Alex Proyas as a director, even when he swings and misses.

Nathan:

The ending of this movie is not great, but I still think it's

Nathan:

worth worth the ride, I think.

Nathan:

So yeah.

Nathan:

Knowing, from 2009, is my number five.

Nathan:

Nice.

Nathan:

That's a good choice.

Nathan:

Okay, thank you.

Sam:

Yeah.

Nathan:

Sam,

Sam:

do you like Knowing?

Sam:

I do, but I haven't seen it in so long.

Sam:

I just remember there's an impressive and creepy plane crash in that movie.

Sam:

Yeah, the plane crash.

Sam:

Across the highway.

Sam:

Yeah.

Nathan:

Yeah.

Sam:

I do remember that.

Sam:

I would have to go back.

Sam:

I remember enjoying it, but it's been a while.

Nathan:

So

Bee:

I have one for my number five, and I'm not sure if you could really

Bee:

classify it because the, this is a genre that can be a little tough for me.

Bee:

But I have a backup.

Bee:

So if you guys are like, kick this movie out of here, I hear you.

Bee:

I

Nathan:

have my, my, my finger on the purge button here.

Nathan:

So, Sure.

Bee:

I was in Spielberg frame of mind, War of the Worlds, got a lightning storm.

Bee:

Yeah.

Trailer:

Yes.

Bee:

Yeah.

Bee:

Yeah.

Nathan:

All

Bee:

right.

Nathan:

We'll take it.

Bee:

I love this movie.

Nathan:

It's got a

Bee:

badass lightning storm.

Bee:

Well, you

Nathan:

weren't here when we reviewed it.

Nathan:

That was like last spring.

Nathan:

Yeah.

Bee:

No.

Bee:

Yeah,

Nathan:

we did.

Nathan:

That was one of our early Spielberg retrospective films.

Bee:

Oh, yeah.

Bee:

I love this movie.

Bee:

I think it's great.

Bee:

I don't know what you guys think of this movie, but now I want to find out.

Nathan:

You know what though?

Nathan:

I could tell you this.

Nathan:

It was not voted into our vault.

Bee:

Really?

Bee:

No.

Bee:

We did

Nathan:

that retrospectively.

Nathan:

Zoinks.

Nathan:

Yep.

Nathan:

Sam, what is your number five?

Sam:

Boy, this is tough.

Sam:

I have been oscillating and like this list may be subject to change

Sam:

in the future, but I'd say my number five is Greenland, starring

Sam:

Gerard Butler and Morena Baccarin.

Sam:

And this movie is the antithesis of Don't Look Up.

Sam:

It is a gritty, brutally realistic and terrifying and harrowing first Person,

Sam:

almost family account of a, of a family that is just like living their life

Sam:

and they get a presidential alert on their cell phone that they need to

Sam:

like report to this location so that they can be transported to Greenland.

Sam:

And like literally a comet is, is coming and it's broken off into

Sam:

pieces and the government has sort of hidden how dangerous it will be.

Sam:

But destruction starts happening in the distance.

Sam:

But this is not the film where like people outrun fireballs and

Sam:

there's cheesy, unrealistic effects.

Sam:

Everything that happens in this movie is grounded and terrifying and psychological.

Sam:

And the tapestry, the canvas is very up close and personal.

Sam:

Harrowing movie.

Sam:

Greenland.

Sam:

I've never heard of this.

Sam:

I think you would.

Sam:

I think you would really like it because yeah, check it out.

Sam:

It does not fall into the blockbuster trap.

Sam:

It feels like a documentary of.

Sam:

A couple and a family trying to get to an airport and just their

Sam:

grounded, terrifying adventure.

Sam:

And like, just, I was mesmerized by this movie.

Sam:

So that would, that would be on there.

Nathan:

I never checked this out because I saw Gerard Butler on the cover of it.

Nathan:

And I figured this is just action schlock.

Nathan:

So definitely

Sam:

not.

Sam:

It is different.

Sam:

Yeah.

Nathan:

Okay.

Nathan:

I thought

Sam:

the same thing.

Sam:

It is.

Sam:

It was surprisingly good.

Sam:

Like,

Nathan:

But I agree with you.

Nathan:

I've only heard amazing things about this, but that was my initial opinion

Nathan:

about it when I saw this, but I have hearing the same thing you're saying, Sam,

Nathan:

is that this is much better than that.

Nathan:

And I was just seeing that there is a sequel coming out in

Nathan:

a couple soon called Greenland Migration also with Gerard Butler.

Nathan:

So

Sam:

really?

Nathan:

Yeah.

Nathan:

Oh, that is

Sam:

great news.

Sam:

I did not know that at all.

Sam:

That is the first I've heard of that.

Sam:

And like, I can see how they would continue the story,

Sam:

and that is spectacular.

Nathan:

Same director, too.

Sam:

Awesome.

Nathan:

Cool.

Nathan:

Yeah.

Nathan:

Alright.

Nathan:

Day made.

Nathan:

Day made.

Nathan:

Alright, so we're moving on to our number fours of our top

Nathan:

five favorite disaster movies.

Nathan:

And I have

Bee:

it on good authority, Nathan's is Snakes on a Plane.

Bee:

Is that right?

Bee:

You know, I know

Nathan:

I never thought about that, but let me

Sam:

guess your number for your number four is of disaster movies,

Sam:

a different kind of disaster.

Sam:

The box office disaster of caddy shack too.

Bee:

I did think about doing box offered

Sam:

G Lee woo.

Nathan:

So this one is one of the OG disaster films.

Nathan:

It came out in 1972 is directed by.

Nathan:

Christopher, I think Nimi and Nemi the film laid out the blueprint

Nathan:

for the huge ensemble cast that, that many other disaster films of

Nathan:

the seventies would soon adopt.

Nathan:

Typically a cast of actors way past their prime or, or ex athletes,

Nathan:

whomever they could get to show up the movies, the Poseidon adventures, it's

Nathan:

actually one of the best of these.

Nathan:

It was Eric.

Nathan:

Gene Hackman is the lead, and he's really great in this.

Nathan:

God, I'd watch Hackman

Bee:

in anything.

Nathan:

The whole, the whole cast is great.

Nathan:

You got Ernest Borgnine, Red Buttons, Shelley Winters, who actually was

Nathan:

nominated for Best Supporting Actress.

Sam:

Leslie Nielsen.

Nathan:

Leslie Nielsen, Roddy McDowell.

Nathan:

You know, basically, if they weren't on the set, That day, they were probably

Nathan:

taping an episode of Hollywood Squares.

Nathan:

That's how I always look at it.

Nathan:

There's so much suspense in this.

Nathan:

Basically, all the passengers are trying to escape a capsized

Nathan:

ocean liner hit by a rogue wave.

Nathan:

Exactly what I want to think about as I get ready for my first cruise next week.

Sam:

I will say, I love the Poseidon Adventure.

Sam:

And the, I, when the rogue wave appears and the suspense building up that I

Sam:

still find that absolutely terrifying.

Nathan:

Yeah, it's a sad adventure in my number four.

Nathan:

Beast!

Bee:

Alright, well, we know I like my movies two ways.

Bee:

Wet and schlocky.

Bee:

Big fans.

Bee:

Love Jason Takes Manhattan.

Bee:

Love Jason Takes Manhattan.

Bee:

Love Deep Blue Sea.

Bee:

No, my number four.

Bee:

Even wetter, even schlockier.

Bee:

We've gone all the way wet with Waterworld.

Bee:

Oh, no way.

Bee:

Cool.

Bee:

I ride for the cause.

Sam:

That movie has a great, great soundtrack.

Bee:

I saw this when I was a kid.

Bee:

You know, it came out in 1995.

Bee:

I watched it with my dad.

Bee:

I just have good, fun, nostalgic memories of this movie.

Bee:

I'm not going to say it's, it's the blueprint or the best of the

Bee:

best of anything, but I really enjoy watching it and still do.

Bee:

I have great

Sam:

nostalgia for it.

Sam:

I was Summer 95, I was 14 and I had, that movie was like epic and that's

Sam:

not actually, because of that movie, I read a review of that film and they

Sam:

said, well, not quite as terrifying as the world of Road Warrior.

Sam:

And I was like, Road Warrior?

Sam:

What's that?

Sam:

So Waterworld led me to Mad Max that summer.

Sam:

Yeah.

Sam:

So 14 year old.

Sam:

Summer.

Sam:

Love that summer.

Sam:

That's a great summer.

Nathan:

So I, I regrettably did not have it.

Nathan:

I did not see it in the theater and I'm hoping that next year with,

Nathan:

I think it's its 30th anniversary next year that it will find its way

Nathan:

into a big screen somewhere near me.

Nathan:

It'd be so fun.

Nathan:

I would like to see it in the theater.

Nathan:

Yeah.

Bee:

It's just a really fun movie.

Nathan:

All right, Sam, what say you, you're number.

Sam:

So my number four a film directed by Mimi Leder starring Morgan Freeman

Sam:

and Tia Leone Tia Leone, excuse me, I'm referring to Deep Impact.

Bee:

I thought about this.

Bee:

This was like six, this was the one where I was like, if you guys don't

Bee:

like War of the Worlds, Steep Impact.

Sam:

I am a sucker for the tone of this movie.

Sam:

James Horner's score, May He Rest in Peace, is haunting and beautiful.

Sam:

End.

Sam:

I, this, this was the summer of comet movies, the summer of 1998.

Sam:

This came out first and then Armageddon came out later in the summer.

Sam:

Armageddon is the bigger hit, but scientists agree that this movie

Sam:

of the two is the more realistic.

Sam:

I love this movie.

Sam:

It's serious.

Sam:

It's scary.

Sam:

And it, I just find the way the script unfolds clever.

Sam:

So yeah, that would be my number four deep impact.

Sam:

It just, the, the implications of like the, what's the, the world being

Sam:

destroyed on that scale is terrifying.

Sam:

I just love the, the,

Nathan:

the human drama element of this movie.

Nathan:

I really, you get to know these, but Judd Hirsch in this is so many, so many.

Nathan:

sub stories in this.

Nathan:

It's really, it really is well done.

Nathan:

The effects are not that good in this though, but.

Sam:

They have not, they have not, some of them have not aged well, but

Sam:

some are good and there is still a hilarious shot of a tsunami like.

Sam:

overtaking New York.

Sam:

And there's this elderly gentleman reading a newspaper that is clueless.

Sam:

And this moment played at a, has a joke, even on the screen back

Sam:

then everyone was like, he's oblivious that the wave is coming.

Sam:

So yeah, she, but some cheesy special effects agree.

Sam:

Some still hold up some not so great, but in general love the movie.

Nathan:

It's a good movie.

Nathan:

All right.

Nathan:

So, all right, so, up to me, my number three.

Nathan:

So my number three is The Impossible from 2012.

Nathan:

This is directed by J.

Nathan:

A.

Nathan:

Bayona and it's starring Naomi Watts, Ewan McGregor, and there are a couple, actually

Nathan:

parents, who are vacationing in Thailand in December of 2004 when the infamous

Nathan:

Hit the coast causing incomprehensible devastation to the country.

Nathan:

This is a harrowing story and will exhaust you.

Nathan:

I can't believe I haven't seen this.

Sam:

I gotta see this.

Nathan:

Yeah, it's great.

Nathan:

I've definitely seen this.

Nathan:

Yeah.

Nathan:

So, the scenes where the tsunami first hit are incredible.

Nathan:

The effects still, I mean, this is a 12 year old movie, it's still incredible.

Nathan:

I know much of it is CGI, but it's clear that a lot of these

Nathan:

actors spent hours on it.

Nathan:

Hours, days in the water filming these scenes and it looks,

Nathan:

it looked like a rough shoot.

Nathan:

Very good film.

Nathan:

One of the better disaster films for sure.

Nathan:

So yeah.

Nathan:

Wow.

Nathan:

Definitely check that out.

Nathan:

It is really good.

Nathan:

Yeah.

Nathan:

Cool.

Nathan:

That's my number three.

Nathan:

Be your number three.

Bee:

My number three.

Bee:

Is a little movie you might've heard of.

Bee:

Oh,

Nathan:

go ahead.

Bee:

It's just about two love struck kids in Oklahoma.

Bee:

Just chasing things they love.

Bee:

It's Twister.

Bee:

Woo.

Bee:

I can't say any more about it.

Bee:

I've said so much about Twister in the last 72 hours,

Bee:

but big fan.

Nathan:

Big you are.

Nathan:

All right, Sam, what is your number three?

Sam:

My number three is the wildly entertaining and hilariously

Sam:

ridiculous and over the top massive spectacle, Roland Emmerich's 2012.

Sam:

I unapologetically Love this, this guilty pleasure, epic film starring

Sam:

John Cusack hilarious over the top performance by Woody Harrelson as

Sam:

a guy who's just like lost it, but the scale of this movie is amazing.

Sam:

Basically the like Earth's It's crust starts to shift and they're

Sam:

like tectonic plates lose their position because of solar flares.

Sam:

So like Los Angeles just sinks into the ocean.

Sam:

There's huge tsunamis.

Sam:

There is spectacle after spectacle in this movie that is just nuts and ridiculous.

Sam:

And I love it, including a giant arc that's like lost control of

Sam:

its engine and in rising waters.

Sam:

They have to turn or they're going to crash right into

Sam:

the face of Mount Everest.

Sam:

Sublimely ridiculous.

Sam:

I remember when this

Bee:

came out.

Bee:

Yeah, I

Sam:

do love it.

Sam:

I do love it.

Sam:

So that'd be my, my number three.

Sam:

It's

Bee:

good choice.

Bee:

It's not a good choice.

Bee:

It's terrible choice, but I support you.

Nathan:

We still love you, Sam.

Bee:

We do.

Sam:

I'm aware of its quality level, but I, I, Hey man, I chose

Bee:

water world.

Bee:

You gotta go with what you love.

Nathan:

It's fine.

Nathan:

If you feel

Bee:

it, chase it.

Nathan:

Well You can make fun of me for this next one because you, you

Nathan:

got, you got 2012, you know, this one, you may have heard of it too.

Nathan:

It was a little movie and I debated if it, this is a disaster film or not, but

Nathan:

yeah, it is because the last hour of this movie is about as intense as it

Nathan:

gets as the RMS Titanic slowly sinks into the Atlantic on April 15th, 1912.

Nathan:

Say what you will about this movie.

Nathan:

I know there are haters out there, but I think Titanic does so brilliantly.

Nathan:

It's a great one.

Nathan:

That's what really is that James Cameron lets us indulge in the world

Nathan:

of living on the ship for two hours.

Nathan:

We get to know the geography and more probably we spend time

Nathan:

with all of these characters.

Nathan:

Not just the two leads, but all, you know, the people that work

Nathan:

on there, these various people.

Nathan:

I refuse

Bee:

to let the internet make us think liking Titanic is a hot take.

Nathan:

It's a good movie.

Nathan:

It is.

Nathan:

It is an excellent film.

Nathan:

But because we spend all this time, we are invested in the survival of

Nathan:

these characters down to the most minute character in this film.

Nathan:

It is why Titanic is such a riveting film.

Nathan:

And that last hour is still one of the best hours in cinema history

Nathan:

as that ship slowly goes down.

Nathan:

And of course, the extremely climactic ending as the liner

Nathan:

violently goes down at the end.

Nathan:

So Titanic is my number two.

Bee:

You know, it's a little bit of a wet movie,

Nathan:

a little bit.

Bee:

It's a little bit.

Nathan:

There might get wetter.

Bee:

I might get wetter.

Bee:

My number two, bigger, bigger, splashier, wetter movie.

Bee:

I love this movie.

Bee:

It's

Nathan:

another, we don't have anything that's overlapping yet.

Nathan:

This is crazy.

Nathan:

I don't know.

Nathan:

This is crazy.

Nathan:

Yeah.

Bee:

I think my number one might overlap with someone else's.

Bee:

Okay.

Bee:

But I love this next movie.

Bee:

It is another boating incident movie.

Bee:

It is, of course, a perfect storm.

Bee:

I think that I love this movie.

Bee:

It's so good.

Bee:

The whole cast is great.

Bee:

As a New Englander, I just felt this one like in my bones, you know.

Bee:

Another

Sam:

great James Horner score.

Bee:

Yeah, yeah, yeah, yeah it's just great.

Bee:

It's a great character story.

Bee:

All the side actors are great.

Bee:

It's another great ensemble piece.

Bee:

You really feel the tension in this movie.

Bee:

I think it still looks good.

Bee:

I would watch this anytime.

Bee:

Throw it on.

Sam:

I love the like autumnal feel of that movie.

Sam:

It's like October 1991.

Sam:

The Grand Banks like, oh, it's epic.

Bee:

And it's like, it's based on real stuff.

Bee:

Yeah.

Bee:

You know,

Sam:

since we used to quote Mark Wahlberg in the show, I will quote

Sam:

a line from, from perfect storm.

Sam:

He's like, yeah, ma, I know the grand banks and no joke in October.

Nathan:

Love it.

Nathan:

Great pick the Sam.

Nathan:

What's your number two?

Nathan:

I

Sam:

mean, I spoke too soon about overlap but my number two is none

Sam:

other than the Poseidon Adventure.

Sam:

You discussed it already.

Sam:

I love that movie and Leslie Nielsen in a serious role.

Sam:

This is before his comedy extravaganza.

Sam:

I find this movie, I saw it as a kid and I just find it terrifying and riveting.

Sam:

And like, even though some of the visual effects are old and clearly,

Sam:

sometimes you're looking at models, it is so well done and so involving.

Sam:

I love it.

Sam:

And there is a really not so great remake called Poseidon in 2006, directed

Sam:

by Wolfgang Peterson, starring Kurt Russell, who does a great job, but

Sam:

like very, yeah, definitely a remake.

Sam:

Yeah.

Bee:

Okay.

Nathan:

Wolfgang Peterson did Perfect Storm.

Sam:

Indeed he did.

Sam:

All right.

Bee:

Perfect.

Bee:

So I'm more like perfect movie.

Bee:

Fox just

Sam:

lifting, throw off your bow line, throw off or something else.

Sam:

You know what?

Sam:

You're a goddamn swords boat captain.

Sam:

Is there anything better in the world?

Nathan:

Sorry.

Nathan:

So my number one pick is I think the most broey movie on my list and it

Nathan:

has been mentioned already on here.

Nathan:

I'm sticking with boats.

Nathan:

This one isn't quite as large as Titanic.

Nathan:

It's been mentioned already, but it's the Andrea Gale believed to have gone down in

Nathan:

one of those violent weather occurrences in the Atlantic on October 1991.

Nathan:

Perfect Storm, George Clooney, Mark Wahlberg as Gloucester men.

Nathan:

Wait, Perfect Storm

Sam:

is your number one?

Sam:

Yes.

Nathan:

That's awesome.

Nathan:

Yes.

Nathan:

Yes.

Nathan:

Yes.

Nathan:

The men who get caught in a storm while returning home after a big haul of fish.

Nathan:

I think the special effects in this movie still did pretty good, you know?

Nathan:

Yeah.

Nathan:

They look good.

Nathan:

It looks good.

Nathan:

I love this movie.

Nathan:

I think George Clooney is fantastic in it.

Nathan:

It is rooted in that Massachusetts thing.

Nathan:

Oh, I love the Massachusetts like pathos, mythos to

Sam:

it.

Sam:

Like when it starts and like, she has the nightmare, the Warner Brothers logo,

Sam:

and you like see them coming back to the doc, you're like, ah, Gloucester,

Sam:

Gloucester, you know, it's so funny.

Sam:

That was so close to my, that was my number five.

Sam:

And then I thought of Greenland, but like, I don't know.

Sam:

I may have a deeper love for perfect storm, but I do love, I

Sam:

love, I do love perfect storm.

Sam:

I saw that in the theater that, and I liked it, but it

Sam:

grew on me over the years.

Sam:

It grew

Nathan:

on me as well.

Nathan:

And I just want to also highlight just the awesome cast in this.

Nathan:

They got other members.

Nathan:

You got John C.

Nathan:

Reilly, William Fichtner, who has made a career out of playing

Nathan:

swarmy people, swarmy characters, John Hawks in an early role.

Nathan:

Yeah.

Nathan:

Karen.

Nathan:

Alan and Diane Lane.

Nathan:

This is Michael

Sam:

Ironside.

Nathan:

Yeah, I was going

Bee:

to say Michael Ironside.

Bee:

No one in this movie is in a little bit swashbuckling.

Bee:

Again, it sings to my New England heart.

Bee:

If you got it.

Sam:

Yeah.

Bee:

And if you haven't read, I know she makes a cameo, but Linda Greenlaw is one

Bee:

of the, the Fisher, People, Fisher Woman, who this is all based on and she was

Bee:

there and yeah, you should check it out.

Bee:

Her books are great.

Bee:

Yeah, I have a copy of The Hungry Ocean.

Bee:

It's awesome.

Sam:

That's awesome.

Sam:

Like the end of that film is so emotional when Mary Elizabeth Mastery

Sam:

Antonio is like delivering the speech.

Sam:

Then it pushes into the Gloucester sign and James Horner gives you

Sam:

like the most new Englandy composed epicness . I'm gonna watch this tonight.

Sam:

Yeah, I might watch it.

Sam:

Two best line ever.

Sam:

Waking up and watch this Michael Watch party.

Sam:

Best line ever, Michael Ironside.

Sam:

I actually quote this movie a lot by myself.

Sam:

Sometimes I'll be in my car by myself and I'll quote Michael Ironside.

Sam:

He'll be like, I like you, Billy, but I like my boat better.

Nathan:

Love it.

Nathan:

All right, B, you're number one.

Bee:

Well, my number one, it's not a bro y movie, but it does

Bee:

have who I would consider kind of a swashbuckling bro at its heart.

Bee:

It is of course Dante's Peak.

Opening:

No way, that's awesome!

Opening:

I don't know

Bee:

how this hasn't come up yet.

Bee:

This is what's flooring me a little bit and I'm surprised.

Bee:

This is a classic movie.

Bee:

Another great cast, Linda Hamilton is in this, of course Pierce

Bee:

Brosnan is the heart of it.

Bee:

It's a great time.

Bee:

Yeah.

Sam:

I love Dante's Peak.

Sam:

I need to

Nathan:

revisit

Sam:

this.

Nathan:

Between this and I will shamelessly

Sam:

Forgive me guys, but I will shamelessly plug Walks of World.

Sam:

Briefly, I visited Dante's Peak, the town of Wallace, Idaho.

Sam:

Walks of World, YouTube handle, Walks of World 1981.

Sam:

Check it out.

Sam:

Look for the Dante's Peak video.

Sam:

It's a million times

Bee:

more powerful than the atomic bomb.

Bee:

You know, like, it's just good shit.

Sam:

Is that your recipe for frog soup, Harry?

Sam:

No, that's my recipe for disaster.

Sam:

Sam.

Sam:

Down to you, your number one.

Sam:

So by number one, the most spectacular disaster film ever.

Sam:

And it's just like the apex that I cannot deny is my number one

Sam:

is indeed Titanic, number one.

Trailer:

Hey,

Sam:

yeah.

Sam:

I mean, you said it all perfectly, so I will not repeat it, Nathan.

Sam:

But last hour, Titanic sinking the characters, just the Cecil B.

Sam:

DeMille grandeur of that movie remains jaw dropping to this day.

Bee:

I wonder if I can find a way to make it sound like Babel.

Bee:

I'm trying to attach every movie.

Bee:

It's kind of like Babylon.

Bee:

Good movie.

Bee:

Kind of like Babylon.

Bee:

Titanic rules.

Bee:

Have, has anyone seen the Celine Dion documentary on prime?

Bee:

It's a really good job.

Bee:

Nathan, are you trying to watch more docs this year?

Bee:

It's worth it.

Bee:

I'm trying.

Bee:

It's a good one.

Bee:

I

Nathan:

haven't failed.

Nathan:

I'm trying.

Sam:

And the, the, the visual effects too, like when the, when the ship is

Sam:

like sticking up in the air and like, The electricity gets knocked out and you just

Sam:

see like all the lights go out and it's silhouetted against the stars and you

Sam:

like hear all these like muffled yells.

Sam:

It's just like that gave me the chills in the theater.

Bee:

If we didn't have Titanic, we wouldn't have the oops

Bee:

I did it again music video,

Sam:

right?

Bee:

That's important.

Sam:

That is important.

Sam:

That is true.

Sam:

It's just the scale, the grandeur.

Sam:

Like I just love, and I love that we get to spend time and, and the, the

Sam:

brilliance of that movie is that, you know, like this is, this happens only the

Sam:

first time you see it, but you know that.

Sam:

The iceberg is coming, but you don't know when.

Sam:

So you're like enjoying the characters and enjoying the drama.

Sam:

But like, you're always like, Oh, you, you sense you're like, is it coming?

Sam:

Is it not?

Sam:

Like, you know, disaster is not far off.

Sam:

It's like looming out there.

Sam:

That's what gives that movie the epic terror.

Bee:

I love Kate Winslet.

Bee:

I love

Sam:

her.

Sam:

She's amazing.

Sam:

I mean, James Horner, I'm a huge, I, you're talking about

Sam:

you know, Titanic, perfect storm.

Sam:

Both James.

Sam:

Horner composed films and like, he's my second favorite

Sam:

composer alongside John Williams.

Sam:

Like, I love James Horner.

Sam:

Like, he just, there's a, a melancholy, beautiful tone in a lot of his music.

Sam:

Score for Avatar.

Sam:

Exactly.

Sam:

Yeah.

Nathan:

Yeah.

Nathan:

Alright.

Nathan:

I think this is really great list.

Nathan:

We don't have, it's funny, we don't have a lot of crossover.

Nathan:

Perfect.

Nathan:

Storm was on two of our lists and Titanic crossed over a little bit,

Nathan:

but this was a very diverse list.

Nathan:

So this is And Poseidon Adventure.

Nathan:

Inid is right.

Nathan:

Yeah.

Nathan:

Pose beside adventure, but not, can I

Bee:

ask if either of you, so I took it out of my list because

Bee:

I consider it a monster movie.

Bee:

Not necessarily disaster movie, but based on our loose definition here.

Bee:

Did either of you consider Jaws?

Bee:

I

Nathan:

didn't because I, it was, I, this, this, the monster movie.

Nathan:

And then there's that.

Nathan:

So I did not, which would be the same thing, like alien, you know, like, yeah.

Nathan:

I tend to think of

Sam:

like large of destruction, you know what I mean?

Sam:

Like mass, like scale, like waves, ships, that kind of thing.

Sam:

Like, Volcanoes.

Sam:

Yeah.

Sam:

Like definitely Dante's Peak.

Sam:

I like Dante's Peak and A Perfect Storm a lot.

Sam:

I'm surprised they weren't on my top five.

Sam:

It's just when it's, I mean, a lot of those, those films

Sam:

would be in my top 10 for sure.

Sam:

When you got to narrow it down to five, I, it's like, I would want to watch Dante's

Sam:

Peak more than Greenland, but I think Greenland is a better, Film, and I have

Sam:

to acknowledge that, even though I have a stronger emotional attachment to Dante's.

Nathan:

My other criteria is I didn't include like movies that

Nathan:

had like deadly viruses, even though that could be a disaster.

Nathan:

Yeah, I just decided like, you know what?

Nathan:

I wasn't going to go there.

Nathan:

I thought of that like I thought of World

Bee:

War Z or 28 Days Later, but then I was like, those

Bee:

are kind of monster movies.

Bee:

Yeah, I

Nathan:

didn't do zombies or viruses or things like that.

Nathan:

But you know what, I wasn't going to like tell you guys what to do.

Nathan:

So, by the way, I, I wanted to do this.

Nathan:

I wanted to break down the themes of our disaster movies based

Nathan:

on kind of like, so wet list.

Nathan:

And now I, now I have the wettest list of all four out of my five movies

Nathan:

are water based beside adventure.

Nathan:

The impossible Titanic and perfect storm are all water based movies,

Nathan:

except for knowing, which is kind of like apocalyptic type, you know, thing.

Nathan:

B, you're the most diverse of all of us.

Nathan:

You have an alien invasion, two water themed movies, one

Nathan:

volcano movie, one tornado movie.

Nathan:

Sam, also relatively diverse list, two asteroid comet themed movies,

Nathan:

two water themed movies in one movie.

Nathan:

I guess like Earth fighting back, like 2012 is I guess like, you

Nathan:

know, apocalyptic Earth movie.

Nathan:

So yeah, also pretty diverse.

Nathan:

I was the one that was really in the water.

Nathan:

I was the wettest.

Nathan:

You were.

Nathan:

You were swimming.

Nathan:

And yours

Sam:

was very oceanic.

Nathan:

Yeah.

Nathan:

It's not intentional.

Nathan:

I think maybe we just know how to tell ocean stories the best, maybe.

Sam:

I love ocean stories.

Sam:

And we

Bee:

figured out CGI water pretty early on, you know.

Bee:

Still looks good.

Nathan:

CGI

Sam:

water definitely improved a lot better than CGI fire.

Bee:

Yeah.

Sam:

Okay, but I guarantee I will say this now in Avatar 3 since

Sam:

there's going to be a volcano in it.

Sam:

I guarantee you James Cameron will take CGI fire to the next level.

Sam:

Do we know that?

Bee:

Is there a volcano in it?

Bee:

Yeah, there's a volcano

Sam:

in it, and there's a culture of Navi called the Ash

Sam:

People, and they're antagonistic.

Bee:

Oh my god, I can't wait.

Bee:

I love Avatar so much.

Bee:

Me too, I love it.

Bee:

I totally love it, yeah.

Bee:

Oh my god.

Bee:

Put that into my veins.

Bee:

So good.

Bee:

I bought the Light Up Avatar popcorn bowl, and it's been like a true joy in my life.

Bee:

It's really great.

Bee:

I'll bring it to our next gathering

Bee:

. Sam: If you ever invent an avatar drug, you should call it Awa

Nathan:

Okay.

Nathan:

I think it's time to wrap it up before you, thats a wrap on disasters before.

Nathan:

I just wanna, yeah, so we're gonna be taking a couple weeks

Nathan:

off and coming back on the 12th.

Nathan:

Of August with our 80s summer comedies theme.

Nathan:

We're going to have three weeks of 80s summer comedy, starting

Nathan:

off with Ernest goes to camp.

Nathan:

Looking forward to that.

Nathan:

Yes.

Nathan:

So we're so me and B, we're taking vacations.

Nathan:

So we are we are recording from the future past.

Nathan:

I think when this episode.

Nathan:

Yeah.

Nathan:

Yeah.

Nathan:

Yeah.

Nathan:

So we'll, we'll be back in a couple of weeks.

Nathan:

I may

Sam:

have to take a vacation as well.

Sam:

I did my vacation from my working vacation.

Sam:

I'm always trying to run away, so I might try to do something.

Sam:

I don't know.

Bee:

Let us know where you end up, man.

Sam:

I'll let you know if I go anywhere.

Sam:

We'll see.

Nathan:

All right, so this concludes our short two week mini retrospective

Nathan:

of Back to the Framerate enters the suck zone, as we briefly call

Trailer:

it.

Nathan:

And we'll be back in two weeks for 80 Summers Comedies

Nathan:

for the month of August.

Nathan:

Everyone you enjoy yourselves and I am gonna, I should really do my real wrap up.

Nathan:

That is our show this week.

Nathan:

Back to the frame rate is part of the Western

Sam:

Media Podcast.

Sam:

By the way.

Sam:

That's the end of the episode.

Sam:

I I forgot what I was going to say.

Sam:

I had a point that I thought was important to make and I really lost it.

Sam:

So I apologize.

Sam:

Was the point

Bee:

that it's the end of the episode.

Sam:

It was, but there was something about driving, driving somewhere.

Sam:

Damn it.

Sam:

I lost it.

Sam:

I'm just gone.

Sam:

Driving

Nathan:

in the end.

Nathan:

Drop it off in our socials, Sam.

Nathan:

When you think of it,

Sam:

right?

Sam:

Yeah, I'll

Nathan:

try.

Nathan:

Back to the framerate is part of the Weston Media Podcast Network.

Nathan:

We also wish to thank Brian Ellsworth For a show opening on behalf of all of us.

Nathan:

We bid you farewell from the fall shelter.

Nathan:

Your presence in our underground sanctuary is truly appreciated.

Nathan:

We are truly sorry.

Nathan:

You cannot join us, but we want to express our gratitude for your company.

Nathan:

If you were finding solace in our discussions, we kindly ask that you

Nathan:

please subscribe and leave a rating and review an Apple podcast, Spotify,

Nathan:

or whichever portal connects you to our broadcast there, you can find more

Nathan:

episodes of this podcast and also on our website, back to the frame rate.

Nathan:

com.

Nathan:

And on Facebook, Instagram at back to the frame rate.

Nathan:

Your support is the beacon of light that brightens our confined space

Nathan:

until we emerge from the fallout.

Nathan:

Keep those reviews coming.

Nathan:

Keep hope alive.

Nathan:

Thank you.

Nathan:

This is the end of our transmission.

Nathan:

Back to the frame rate.

Nathan:

Signing off.

Nathan:

Woo!

Sam:

Frame rate, back to.

Sam:

I want you to know it's over.

Trailer:

Well, Oh,

Sam:

man, that was really

Trailer:

if you feel it

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About the Podcast

Back to the Frame Rate
Preserving Our Civilization One MOVIE At A Time
Back to the Frame Rate is a movie discussion podcast where filmmakers, actors, and passionate wannabes come together to celebrate the art of cinema. From beloved popcorn flicks of the '80s, '90s and today, to timeless classics and arthouse gems we cover it all. But we’re not just here to talk movies — we’re here to save them!

In a world facing imminent asteroid-induced doom (think Armageddon without the happy ending), we’ve built a fallout shelter for the greatest films of all time. With only enough space for a carefully curated vault of 35mm and 70mm reels, the stakes couldn’t be higher. We comb through the likes of AFI’s 100, Sight & Sound’s Greats, and IMDB’s Top 250 to decide which films are worthy of saving — and which will be purged forever.

Join hosts Nathan Suher, Sam Coale, and Briana (Bee) Butterworth as they passionately debate cinema’s survival, ensuring the future of storytelling one reel at a time. Sadly, the space is tight, just enough for us and our cherished 35mm and 70mm film reels. To friends, family, and old acquaintances left in the cinematic dust, our apologies. But fret not, for we vow to emerge when Earth is safe for repopulation. We've preserved the very soul of civilization, ensuring a future where storytelling thrives. Back to the Frame Rate, saving the world one reel at a time!
Hosted by Nathan Suher, Sam Coale, and Briana (Bee) Butterworth.
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